Best Animation Cartoons to Watch Online
You are now exploring page 286, where our ever-expanding lineup of animation cartoons continues. If you’ve already sampled some of our fan-favorite titles, now is the time to uncover even more delightful animated adventures. Keep exploring and enjoy the journey!
Wild Elephinks (1933)
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Popeye and Olive, adrift on a raft, land on what apparently is Africa, and are immediately battling elephants and gorillas (also a moose!). Popeye eventually battles an entire menagerie at once - after first gulping down a can of spinach, of course.
Seasin's Greetinks! (1933)
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Popeye skates over to Olive's house to give her a Christmas present: ice skates of her own. While he's teaching her, Bluto skates up and gets fresh; of course, Popeye fights him. When Olive rejects Bluto again, he sends her careening on an ice floe towards a waterfall.
Popeye the Sailor (1933)
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Popeye and Bluto fight for the love of Olive Oyl in their debut short, featuring Betty Boop.
Ye Olden Days (1933)
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The princess is to wed the Prince against her wishes. When she refuses, the king locks her in the tower. Minstrel Mickey sees her and rescues her, making a rope from the clothes of lady-in-waiting Clarabell. The king spots them and prepares to chop off Mickey's head until Minnie intercedes. The king calls for a joust. Mickey wins and they live happily ever after.
I Yam What I Yam (1933)
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Popeye, Olive Oyl and Wimpy are shipwrecked on an island of hostile Indians
I've Got to Sing a Torch Song (1933)
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Blackout gags and music, including the title song originated in the movie musical Gold Diggers of 1933. Hollywood figures caricatured include Tallulah Bankhead, Joan Blondell, James Cagney, Bing Crosby, Guy Kibbee, Zasu Pitts, Mae West, Bert Wheeler and Bob Woolsey, Ed Wynn, George Bernard Shaw, Mussolini, Ben Bernie, The Boswell Sisters and Greta Garbo, who does the "Dat's all, folks!".
We're in the Money (1933)
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After the last human has left the department store, the toys proceed to the music department where they start performing the Warren/Dubin song "We're in the money". The money soon joins for a chorus, as well as display dolls in the wardrobe department.
Three Little Pigs (1933)
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The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".
The Whoopee Party (1932)
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A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin's The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry "Whoopee!" from time to time. The police come to break up the party.
A Great Big Bunch of You (1932)
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A mannequin in the city dump improvises a working piano from junk, then plays and sings the title song. Various discarded items join in with song or dance.
Santa's Workshop (1932)
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Santa's little helpers must hurry to finish the toys before Christmas Day.
Spring Song (1931)
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Early Japanese anime. A stop-motion papercraft animation set to a song sung by Kikoku Inoue
Harlequin (1931)
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A love story set to a baroque score, HARLEQUIN is a delicate black-and-white ballet rendered through exquisitely detailed silhouettes.
Dumb Patrol (1931)
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During the Great War, Bosko and a fearsome beast are in a dogfight. Bosko loses, but that's only the first battle.
The Monkey Sword Masamune (1930)
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During the late Kamakura period, there lived a famous swordsmith known as Masamune whose renown as a swordsmith was so great that even long after his passing the term “Masamune” was used to describe any fine sword. Even today, the Masamune Prize is awarded to swordsmiths of outstanding skills in their craft. In Yasuji Murata’s cutout animation The Monkey Masamune a humble messenger is rewarded with the gift of a Masamune sword when he saves the life of a monkey and her child.
King of Jazz (1930)
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Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
Fiddling Around (1930)
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Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, he is overcome with emotion and has to stop.