Best Comedy Movies Online
You are now browsing page 249, where our remarkable curation of comedy movies continues. If you have already experienced the standout titles from previous pages, now is the perfect time to delve deeper and uncover even more captivating narratives. Keep exploring our collection, and immerse yourself in the world of cinematic excellence!
Tailor (2020)
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A coming-of-old-age story of an eccentric Tailor who doesn't quit fit into the world and has isolated himself into the attic of the family's tailoring shop. On the verge of losing everything, he finally gets triggered: with a wondrously strange bricolage coach-a tailor shop on wheels- he reinvents his life and his craft. He changes the brides of Athens and falls in love for the first time in his 50s.
Kevin Walter's Tower Rats (2020)
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Tower Rats is an outrageous mix-tape of grotesque flamboyance and ludicrous behavior that features the beloved superheroes of Tromaville, New Jersey. A trash film spectacle that has absolutely no plot.
Celia Pacquola: All Talk (2020)
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Co-creator, co-writer and star of ABC TV’s Rosehaven, Celia Pacquola is a true luminary of Australian comedy. A multiple award-winning writer-performer, she is sharp, frank, deft and smart as hell. The stand-up stage is where the journey all started for Celia and it’s where she happily returns in the triumphant All Talk – a homecoming of sorts for one of Australia’s most in-demand comedians.
Eddie Pepitone: For the Masses (2020)
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Comedy's "Bitter Buddha", Eddie Pepitone, is a ranting absurdist and a self-deprecating rage machine. His random non-sequiturs are a refreshing antidote to stand-up’s standard observations.
Vampus Horror Tales (2020)
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A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.
Hal Cruttenden: Chubster (2020)
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His daughters chose the title of his new stand-up show but don’t let it fool you - Hal’s no softie as he tackles subjects like suicide, obesity, and celebrity deaths. With top notch observational humour, cheeky gags and some of the most phenomenal dad dancing you’ll ever see, this set will satisfy your comedic hunger, and then some.
Sweethurt (2020)
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Two interwoven stories of love and heartbreak play out in a small beachside town over the course of one weekend, bringing chaos and absurdity in this hilarious look at love as a young adult.
An Ideal Host (2020)
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Liz just wants to host the perfect dinner party but an unexpected guest sends the evening into chaos, with potentially apocalyptic consequences.
A Compton Story (2020)
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A comedic journey follows Problem as he risks life and limb in hopes that at least one good deed goes unpunished. Based on events that could be from his real life, Problem squeezes in the everyday occurrences that a black man can go through whether famous or infamous.
Graham Kay: Stupid Jokes (2020)
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Graham Kay brings his observational humour and sarcastic charm to Just For Laughs where he takes on everyday topics from surviving a breakup in NYC to tracing-paper pornography in this hilarious one-hour stand-up comedy special.
It's for Your Own Good (2020)
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Three fathers who are also brothers-in-law make a pact to save their daughters from their boyfriends.
James Acaster: Cold Lasagne Hate Myself 1999 (2020)
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On December 17th 2019, I, James Acaster, filmed my 2019 tour show Cold Lasagne Hate Myself 1999 at EartH in Hackney. It was a show about the best year of my life (1999) and the worst year of my life (2017), I wore a very nifty jacket for it and I looked extremely cool.
Hotel Belgrade (2020)
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Pasha, a Serbian womanizer and entertainer, owns a luxurious hotel in Belgrade. He lives carelessly until one day he accidentally breaks a mafia kingpin’s new collectable that is worth a few million. To cover the debt the mafia kingpin makes Pasha marry his daughter. While the girl is preparing to marry the charming hotelier, Pasha by chance meets his Russian love Dasha, who he has not seen for four years. Their love is about to flare up in the romantic atmosphere of the ancient city… if not for the future father-in-law, a real husband, a blind grandad, and a friend with no money.
Patton Oswalt: I Love Everything (2020)
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Turning 50. Finding love again. Buying a house. Experiencing existential dread at Denny's. Life comes at Patton Oswalt fast in this stand-up special.
#Shakespeare's Shitstorm (2020)
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Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville, where Prospero can now fully realize his ultimate vengeance.
Nate: A One Man Show (2020)
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Tough talk takes a soft turn as Nate, played by comedian Natalie Palamides, explores humor, heartbreak, sexuality and consent — with a live audience.
The Fantastic Journey of Margot & Marguerite (2020)
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Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.
To the New Girl (2020)
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A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.