Best Comedy Movies Online
You are now browsing page 878, where our remarkable curation of comedy movies continues. If you have already experienced the standout titles from previous pages, now is the perfect time to delve deeper and uncover even more captivating narratives. Keep exploring our collection, and immerse yourself in the world of cinematic excellence!
Fierrot le pou (1990)
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A young man shoots hoops in an empty gym. He misses constantly. At the other end of the court, a young woman arrives and starts warming up. She rarely misses. He's white, she's black. From time to time, she glances at him and smiles. He's fully aware of her presence and of his lack of talent. Is there any way he can impress her? His imagination takes over.
I Bought a Vampire Motorcycle (1990)
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When a motorbike gang kills an occultist, the evil spirit he was summoning inhabits a damaged bike. The bike is then bought and restored, but reveals its true nature when it tries to exact vengance on the gang, and anyone else who gets in its way.
Rockula (1990)
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Ralph is a sexually frustrated vampire who suffers from a peculiar curse. He's condemned for eternity to watch his one true love, Mona be murdered by a pirate wielding a ham bone. But now? Now it's 1990, and Ralph is determined to break Mona's cycle of reincarnation. His first order of business is winning her affections-- He does that by starting Rockula: a rock band that's sure to stake a claim on her heart.
Far Out Man (1990)
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An aging hippie sets out on a trip across America to find his family.
Men Don't Leave (1990)
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A widowed mother and her two sons move to Baltimore and struggle to adjust to urban life, encountering numerous eccentric characters along the way.
The Shrimp on the Barbie (1990)
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Carlos has failed in show-biz and currently works as a waiter in a Mexican restaurant. There he meets Alex and dumb footballer Bruce celebrating their engagement with her parents. Alex' father is less than thrilled of her fiancée and says he'd rather accept anybody else. Eventually Alex hires Carlos to present him as her new fiancée.
The Big Steal (1990)
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Danny wants two things in life more than anything else, one is a Jaguar and the other is Joanna Johnson. After he is conned into trading his Nissan Cedric for a 1973 Jaguar, he plots to win Joanna and get revenge against the sleazy car dealer Gordon Farkes.
Skinny Tiger, Fatty Dragon (1990)
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King-sized martial arts hero Sammo Hung stars in this wild and wacky blend of action and comedy. Skinny (Karl Maka) and Fatty (Sammo Hung) are a pair of police detectives who soon find themselves on the outs with their boss when they accidentally make a mess of his wedding while chasing Tak, a big league drug trafficker. Skinny and Fatty are forced to leave their jobs, but while on holiday in Singapore, they forget their troubles when they both find love with beautiful women. However, Tak is convinced the former cops are still a threat, and when he abducts their girlfriends, Skinny and Fatty swing into action to rescue them.
Book of Love (1990)
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John Twiller takes down his high school yearbook and begins to reminiscence about that time he first moved into the neighborhood in 1956. His teenage self, Jack is obsessed with Lily one of the more popular girls around. The sole obstacle is Angelo, her bullying boyfriend. With the help of his pals Crutch, Floyd, and Spider, he makes every attempt possible to change her mind.
Skinned Alive (1990)
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Crawldaddy and her two kids are travelling across the country on the search for victims. The dysfunctional family has the disturbing habit of skinning people alive before killing them. When their van breaks down, they are put up by a friendly couple.
Where the Heart Is (1990)
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A wealthy businessman shows his young adult kids how tough life can be.
Blood Salvage (1990)
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Twisted tale about a crazy, preaching redneck named Jake who kidnaps people off the highway and performs sick medical experiments on them. He then proceeds to sell their organs on the black market to Mr. Stone. Everything is fine until he kidnaps the handicapped April and finds that she is harder to control than the others.
Jury Duty: The Comedy (1990)
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Mild and meek accountant Sanford Lagelfost has been charged with embezzling $3 million dollars from Trout Industries. A decidedly mixed bag of jurors are chosen to serve on the case, including Eddie, a waiter; Rita, a high-priced call girl; Phil, a high-powered businessman; and Abby, a rabble rousing ex-hippie. When the star witness, the voluptuous Hope Hathaway, takes the stand, she startles everyone with her stories of Sanford's Lothario-esque conquests. Suddenly, the unassuming Sanford is a celebrity heartthrob and he finds himself in headlines and gossip columns across the country. Due to the case's growing notoriety, the judge
C'est La Vie (1990)
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A story is about young teenage girl, with sister and brothers, a pleasant uncle and aunt, an annoying nanny, a young boy interested in kissing her, a close relationship with the imaginary addressee of her daily diary and her parents' disintegrating marriage - all this in a rented house in a summer resort.
Wildest Dreams (1990)
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The geeky owner of an antique shop accidentally releases a beautiful genie from her imprisonment. She grants him three wishes.
Three Years (1990)
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After the French defeat of 1870, Julia took three years to love Alexander, with whom she married for her fortune. Alas, when Julia wants to declare his love to her husband, the latter confesses to him that his passion is extinguished.
The Hairdresser's Husband (1990)
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The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.
Without You I'm Nothing (1990)
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Sandra Bernhard stars in a studio version of her off-Broadway show, blending re-enactments of the original show's pieces with concept vignettes and 'testimonials' to underscore the relationship between a performer and an audience.