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Best Crime Movies Online

You are now browsing page 393, where our remarkable curation of crime movies continues. If you have already experienced the standout titles from previous pages, now is the perfect time to delve deeper and uncover even more captivating narratives. Keep exploring our collection, and immerse yourself in the world of cinematic excellence!

Hide and Seek (1964)

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A professor of astronomy helping on a missile development program. An old friend of his is a Russian chess champion. The Russian is working with shady businessman Marek and they plan to kidnap the professor and make it look as though he has defected to the Soviet Union.

Dandelions by the Roots (1964)

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Jockey Jack has a bill open with a gangster just released from jail. He somehow manages to parry the gangster's knife attack backstage at a theatre and the latter ends up dead being put into a double bass case. A day later the gangster mysteriously has disappeared, but it turns out that he was carrying a bet ticket for a horse race now worth over a million. A turbulent run for the money begins.

The Scarred Crest (1964)

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A war veteran clashes with a mob boss in this crime saga. When Ryuji returns from the war, he finds himself torn by the death of an old friend - the son of crime kingpin Kiyomiya. A death Ryuji feels responsible for.

Smokescreen (1964)

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A fastidious insurance assessor investigates a potential case of insurance fraud.

Mark of the Tortoise (1964)

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English millionaire Sir Cyrus Bradley is being blackmailed by “The Tortoise” Crime Syndicate. He is to pay £ 100,000.00 Pounds to stay alive and not be murdered. After his refusal to pay the money, he is quickly killed. Cyrus‘ nephew, Don Micklem, plans to avenge the death of his uncle and sets out on a quest to expose “The Tortoise“…

Pale Flower (1964)

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A gangster gets released from prison and has to cope with the recent shifts of power between the gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

Death Whistles the Blues (1964)

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Vogel, an important trafficker, betrayed two of his accomplices, Castro and Smith. The first was shot by police, while the latter was imprisoned. Fifteen years later, Vogel adopted a new identity and moved to Jamaica with his wife, Linda. Smith comes back for revenge but Vogel sends his henchmen to kill him.

Black Hair (1964)

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Yeon-shil is the lover of crime boss Dong-il. She pays off one of the boss's henchmen, Man-ho, with whom she once had an affair; Man-ho is an opium addict, and he has been blackmailing Yeon-shil by threatening to disclose their past relations.

An Outlaw (1964)

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Assassin Nanjo goes on a solitary mission to take revenge on the man who trapped him into a complicated drug deal.

License to Kill (1964)

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Didier Formenter, the French scientist, has just put the final touch on an invention that will be able to destroy to destroy any sort of flying apparatus. An international crime gang is very interested in stealing this equipement to sell it to the higher bidder of lawless nations. Menaced, the scientist, who was friends with Nick Carter's father, calls Nick for help. At Nice airport, Nick Carter escapes death, but that night he is unable to stop Formenter's murder. He suspects Bruno, Formenter's adoptive son, and Tonio, the owner of a bar near Formentier's home. Bruno is actually after Formenter's heritage, and for that he tries to kill

Gate of Flesh (1964)

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In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

OSS 117: Panic in Bangkok (1964)

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A secret agent sets out to stop an evil scientist who is about to unleash on the world a virulent biological strain he has developed during experiments on rats.

Olga's House of Shame (1964)

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In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even

Band of Outsiders (1964)

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Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

Fantomas (1964)

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Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

Topkapi (1964)

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Arthur Simon Simpson is a small-time crook biding his time in Greece. One of his potential victims turns out to be a gentleman thief planning to steal the emerald-encrusted dagger of the Mehmed II from Istanbul's Topkapi Museum.

Murder Ahoy (1964)

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During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.

A Shot in the Dark (1964)

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Inspector Jacques Clouseau, smitten with the accused maid Maria Gambrelli, unwittingly turns a straightforward murder investigation into a comedic series of mishaps, testing the patience of his irritable boss Charles Dreyfus as casualties mount.