A Man (2022)

Akira works as a lawyer. One day, he meets with his former client Rie, who asks Akira to perform a background check on her late husband Daisuke.

Darkest Hour Annihilation (2022)

With the world steaming forward on its self-destructive path, Tracy Wellington decided to ignore the signs of the times. After the disappearance of half the world, she now fights every minute to stay alive.

New Religion (2022)

After her daughter's death, divorced Miyabi works as a call girl. One day, she meets a weird customer who wants to take a picture of her spine. Then, at another assignation, her feet. She soon realises that every time she allows her body to be photographed, her daughter's spirit gets closer. Soon only her eyes remain to be captured, leading to the collapse of society in this bold, visionary and unique fantasy.

Phases of the Moon (2022)

Osanai Kei enjoys a peaceful and happy life with his wife Osanai Kozue and daughter Osanai Ruri, but his wife and daughter die in an accident. Osanai Kei's life suddenly changes. One day, a man named Misumi Akihiko visits Osanai Kei. Misumi Akihiko tells him that on the day Osanai Kozue and Osanai Ruri died, Osanai Ruri, who was a complete stranger to him, was coming to see him. Misumi Akihiko tells him about a woman named Masaki Ruri, who he once loved. These people, who don't seem related, connect under the name of love.

Over/Under (2022)

Violet and Stella spend idyllic summers at camp and the beach. As time passes, personalities and bodies evolve in this thoughtful and elegiac indie drama about the everlasting bond of female friendship. Following the girls’ formative years from ages 9 through 13, we observe intimate details of their lives together and apart on vacations in New England and at home in California. At times, they struggle with body image, peer pressure, social awkwardness, and parental bonds. Yet at the end of the day, the girls have each other to lean on.

Pamfir (2022)

When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.

Carbide (2022)

Antonio and Nikola are inseparable friends who live across the road from each other, and share a love of pyrotechnics and mobile phones. Their families have been in dispute for years over an easily resolvable problem: the water that flows from the top house to the bottom house. The boys’ friendship, as they are about to enter puberty, is put to the test at Christmas time when their families uncover much more dangerous secrets and interests, and the water just carries the hate of the adults to the children.

How to Tell a Secret (2022)

A film that brandishes the documentry form and art to try to dismantle the stigma of being HIV positive that still persists in society. The film honours the past and the iconic Thom McGinty, the Diceman, who was one of the first to speak openly in Ireland about having AIDS but, other than that, it’s very firmly rooted in the here and now. Based on a theatre show, the stories in this film move between bodies of young men, migrant women, drag artists and activists. A form-flipping documentary, it features a cast of actors as well as ordinary people coming out on screen for the first time.

Excess Will Save Us (2022)

A young filmmaker returns to the village where she was born – a hamlet in the north of France – to investigate a strange story about a terrorist threat. She starts with members of her own family, and doesn’t have to go much further. The misunderstanding – as it turns out to be – shows above all how alarmist news items and political machinations in the cities can take on a life of their own, deep in the hinterland.

Yashoda (2022)

Looking to save her sister, Yashoda, a desperate woman agrees to be a surrogate and move in to a plush facility - but nothing is as it seems. In the world outside Eva, a Hollywood starlet dies under mysterious circumstances, so do a tycoon and a super model. An unknown drug seem to hold the key to the whole mystery.

MVP (2022)

On the streets of Hollywood, a recently retired NFL player is saved from scandal by a homeless veteran. With their "glory days" behind them, the two men bond in search of purpose and identity.

Lost Love (2022)

For his project under the lauded First Feature Film Initiative programme, director Ka Sing-fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.

Wild Bones (2022)

Fay reconnects with her sister, Alice, as she misremembers the cause of her father's disappearance and allows it to consume her.

Men of Deeds (2022)

Ilie, a small-town police chief, wants to build a modest comfortable life for himself, but ends up making the wrong choices. Middle-aged and alienated, he feels the need to be a part of something - to build an orchard, even a home. Although dubious things happen in the village, Ilie only sees what suits him. The moment he gets involved in the village marks the beginning of his collapse. In a vacuum of solutions, he tries to be what he has never been before: the justice seeker who arrests everyone guilty.

The Lost Year 1986 (2022)

32 years after the fall of communism and one hundred years after the founding of the Romanian Communist Party, three young independent filmmakers set out to make their feature film debut with a film about an invisible enemy, the radioactive cloud since 1986. Although a large part of the artistic team of the film The Lost Year 1986 was born after the 1989 Revolution, they will tell with humor and sincerity the story of a family from a village in communist Romania, affected by the Chernobyl nuclear accident.

Once and for all (2022)

"Once and for all" ("Odata pentru totdeauna") tells the story of a successful director, Alex, who struggles with depression, despite his great professional career.

Gata Oricând!: partea întâi - Eroii de la podul Jiului (2022)

Două inimi (2022)

Lexi, a 19-year-old girl, poor, with a life full of difficulties, writes lyrics and music in a notebook. Before an important meeting that can change her life and in which her notebook would play a crucial role, Lexi loses the notebook.