The Vampires or, The Arch Criminals of Paris (1915)
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Paris is prey to an invisible terror against which the police can do nothing: a sinister organization that sows chaos and death. The intrepid journalist Philippe Guérande and his partner embark on a long crusade to put an end to the crimes of the Great Vampire and Irma Vep, his dangerous accomplice. (A ten episode movie serial.)
A Night Out (1915)
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After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter's wife.
In the Park (1915)
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A tramp steals a girl's handbag, but when he tries to pick Charlie's pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie's sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn't protect her in the first place. The boyfriend decides to throw himself in the lake in despair, so Charlie helps him out.
Fatty and Mabel at the San Diego Exposition (1915)
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Fatty and Mabel go to the San Diego Exposition.
The Coward (1915)
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Set during the American Civil War, Keenan stars as a Virginia colonel and Charles Ray as his weak-willed son. The son is forced, at gunpoint, by his father to enlist in the Confederate army. He is terrified by the war and deserts during a battle. The film focuses on the son's struggle to overcome his cowardice.
The Champion (1915)
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Walking along with his bulldog, Charlie finds a "good luck" horseshoe just as he passes a training camp advertising for a boxing partner "who can take a beating." After watching others lose, Charlie puts the horseshoe in his glove and wins. The trainer prepares Charlie to fight the world champion. A gambler wants Charlie to throw the fight. He and the trainer's daughter fall in love.
The Captive (1915)
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Set during the Balkan Wars, The Captive tells the story of Sonia, a young woman living in Montenegro and left to care for her younger brother Milos and the family farm when older brother Marko goes off to battle. Unable to handle the day-to-day tasks following her brother’s tragic death, help comes in the form of Mahmud Hassan, a captured Turk nobleman, now a prisoner of war. Tasked with helping Sonia, their initial frosty relationship soon melts into love. As the war rages on Sonia, Mahmud and Milos will face near-insurmountable obstacles in their quest for a better life amidst the hell of war.
The Bank (1915)
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A janitor at a bank is in love with a secretary and dreams that she has fallen in love with him too.
Filibus (1915)
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The mysterious air pirate Filibus steals from the rich and then retreats to the safety of her airship, which is manned by a staff of mask-wearing lackeys who instantly obey her every command. When an esteemed detective sets out to investigate the thefts, Filibus attempts to frame him as the burglar, while also slipping between male and female disguises to romance the detective's sister.
Assunta Spina (1915)
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Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Martyrs of the Alamo (1915)
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The story of the defense of the mission-turned-fortress by 185 Texans against an overwhelming Mexican army in 1836.
Shanghaied (1915)
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A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.
A Woman (1915)
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Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.
Two Knights of Vaudeville (1915)
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After getting kicked out of a vaudeville show for misbehaving, they decide to put on a show of their own.
Work (1915)
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Charlie and his boss have difficulties just getting to the house they are going to wallpaper. The householder is angry because he can't get breakfast and his wife is screaming at the maid as they arrive. The kitchen gas stove explodes, and Charlie offers to fix it. The wife's secret lover arrives and is passed off as the workers' supervisor, but the husband doesn't buy this and fires shots. The stove explodes violently, destroying the house.
The Birth of a Nation (1915)
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Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
The Tramp (1915)
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The Little Fellow finds the girl of his dreams and work on a family farm. He helps defend the farm against criminals, and all seems well, until he discovers the girl of his dreams already has someone in her life. Unwilling to be a problem in their lives, he takes to the road, though he is seen skipping and swinging his cane as if happy to be back on the road where he knows he belongs.
The Mummy and the Humming-Bird (1915)
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The Mummy and the Humming-Bird recounts the tragedy of a neglected wife who seeks amusement in the company of an unscrupulous Italian novelist whose only object in making love to her is the hope of eventually accomplishing her downfall. The reawakening of the unsuspecting husband, the revenge of which a former victim of the wily schemer wreaks, and the saving of the innocent woman are fraught with thrills and dramatic suspense in abundance. It is the sort of production which can not but impress those who view it. This film is lost.