Sweet Sixteen (1983)
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A beautiful lonely girl named Melissa tries to make new friends from a town she's currently living in. The only problem is, each of the boys that she spends time with end up brutally murdered. Her sixteenth birthday is on the way, but Melissa turns out to be a suspect when it seems she's the last person who has seen her boyfriends alive.
Eureka (1983)
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An Alaskan gold prospector lives in luxury with his family on an island which gangsters want.
Fanny Hill (1983)
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Happily engaged to her handsome fiance, Charles, Fanny is soon hit with one misfortune after another until she is forced to become a prostitute to survive. This is the story, with many erotic asides, of her struggle to regain her pride in herself and find happiness in life once again.
Meantime (1983)
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A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
Olivia (1983)
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Nightmares of the past haunt the beautiful, mysterious Olivia, a London resident who begins a passionate affair with American businessman Mike. Trapped in a loveless marriage and traumatized by memories of her mother's brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.
Torpedo Bombers (1983)
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In 1944 a Soviet marine air force unit stationed near Murmansk is fighting off the German bombers attacking the British navy convoys supplying the Soviet Union with war materials under the lend-lease agreement.
Margaret Tait: Film Maker (1983)
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A documentary about the life and works of Margaret Tait.
The Final Terror (1983)
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A group of friends head out for what is expected to be a vacation of hiking, camping and a good time, but when a backwoods mama finds them on her turf, it becomes anything but a vacation.
The Star Chamber (1983)
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As violence escalates in Los Angeles and heinous murders are committed, Steven Hardin, a young judge of the California Supreme Court, must struggle with his tortured conscience and growing despair as he watches helplessly as the ruthless criminals brought before his court go free because clever lawyers find obscure loopholes in the law.
Uncommon Valor (1983)
- 1
A group of Vietnam War veterans re-unite to rescue one of their own left behind and taken prisoner by the Vietnamese.
The Deadly Spawn (1983)
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When a meteorite touches down in the New Jersey woods carrying a monstrous alien slug, it’s up to four teens to stop it before it’s terrifying brood consumes all life on Earth!
Curtains (1983)
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Six young actresses auditioning for a movie role at a remote mansion are targeted by a mysterious masked murderer.
Prisoners of the Lost Universe (1983)
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Three people are transported into a parallel universe. There they find that they must use modern technology, but medieval weapons, in order to save the citizenry from a murderous warlord.
The Zerda and the Songs of Forgetting (1983)
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“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were
Copkiller (1983)
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A NYPD officer imprisons and tortures an admitted cop-killer, but finds the tables turned when his victim refuses to break and in fact urges more punishment.
Reassemblage: From the Firelight to the Screen (1983)
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A complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, Reassemblage reflects on documentary filmmaking and the ethnographic representation of cultures.
Shaolin and Wu Tang (1983)
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Master Liu and Master Law are rival masters of Shaolin style kung fu, and Wudang style sword fighting, running schools in the same city. Their top students, Chao Fung-wu, and Hung Jun-kit, are actually close friends. After observing the two students fighting at a brothel, the Lord determines that the two styles are dangerous, and he must learn both.
Ch'an (1983)
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1941 was Francis Lee's first film; CH'AN his last. In between, he became an expert Sumi-e watercolorist and here he combines eloquent ink paintings with masterful animation methods. This film moves through mysterious shapes, takes the viewer on an explosive meditative journey across the imaginary landscapes of his creations.