David Lean: A Self Portrait (1971)
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A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.
The Boat on the Grass (1971)
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Despite their social differences, poor David and the rich Olivier are the best friends. David took the young Eleanor in Olivier's Paris apartment. When Olivier meets her there, he takes her to the country, where the three build a boat on the meadow. Eleanore divided the friends.
Four Nights of a Dreamer (1971)
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Jacques, a young man with artistic aspirations, spends four nights wandering Paris with a young woman, whom he rescued from suicide.
Don't Deliver Us from Evil (1971)
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Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.
WR: Mysteries of the Organism (1971)
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What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
Adios Compañeros (1971)
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Macho Callaghan is a lieutenant in the Federal Guards and his job is to capture Butch Cassidy, Ironhead, and their band of outlaws. Getting in touch with Ironhead, Macho finds a way of being hired by the outlaws. But when the two leaders quarrel and decide to separate, Macho manages to convince Ironhead to attack Butch Cassidy.
T.R. Baskin (1971)
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Enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city and has to search for her place in the scheme of things.
Luminous Procuress (1971)
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A series of erotic vignettes and sexual imagery (mostly of the gay variety) are presented courtesy of The Cockettes (a gay/drag performance art ensemble of late 60s/early 70s San Francisco).
Love (1971)
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Luca, who regularly visits her bedridden mother-in-law, hides from her the fact that János, his son, has been arrested on a trumped up political charge.
Please Sir! (1971)
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Mr. Hedges, the somewhat naive and idealistc teacher of the rebellious Class 5C, lobbies to have them allowed on the school camping trip despite much precedent to the contrary. Once on the camping trip Mr. Hedges pursues the local barmaid and the class indulge in their usual activities. A small feud with some stereotypical upper class children in red blazers is resolved with a false rape allegation. A case of some stolen money is resolved through Mr. Hedges trusting the class. At the final dance Mr. Hedges is ensnared in the romantic clutches of Miss Cutforth, contrary to his wishes.
Love Is Not a Game (1971)
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When stewardess Lillemor falls in love with her jazz ballet teacher Robert, a black American man, relatives and friends take offense at their relationship.
The Werewolf Versus the Vampire Woman (1971)
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Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa's next victims?
Sophie's Ways (1971)
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Céline is a free-spirited woman is married to a dull, middle manager Philippe. Her husband's co-worker pegged her as a household ornament because of the union. She befriends a woman who shows her how to juggle the couple's living expenses to get what she wants. As she asserts her independence and gradually frees herself from her husband's claustrophobic world, she turns to painting and writing about the inequity between genders.
Love Hate (1971)
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A prisoner escapes and kidnaps a woman with her he falls in love. He's involved in a bad business where politicians and underworld are leading the dance. He'll die like the albatross in Baudelaire's poem.
Rum Runners (1971)
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During the prohibition era, Cornelius, a bootlegger, is on the run from the American coastguards. He comes across a silent film actress, Linda, on the set of a movie and falls in love with her.
Kill! (1971)
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Interpol investigates the freelance killings of drug and porn peddlers.
Maybe I'll Come Home in the Spring (1971)
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Dennie has returned from a year among the hippies to her superficial, image-conscious suburban family. She must face their disapproval of her actions. They refuse to even try to understand. She must also deal with an ex-lover, and a beloved young sister who is following in her footsteps, wanting the idealistic hippie life but making some rash decisions in the process.
The Lady Hermit (1971)
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A young Kung Fu student seeks a reclusive teacher so that she may learn to defeat the evil Black Demon. She doesn't realize that the servant woman she befriends is actually the kung fu master she seeks. After Black Demons henchmen attack, the master reveals herself and eventually takes on the student to train her so that they may both defeat the villian. A love triangle complicates things when another student asks for training as well.