Zatoichi's Cane Sword (1967)
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Zatoichi comes upon the town of Tonda, overrun by gangsters. Using one of his favorite techniques, Zatoichi proceeds to win 8 ryo in a rigged gambling game. Of course, the local gangsters attempt to kill him, and the adventure begins. It turns out a blacksmith named Senzo examines Zatoichi's cane sword, and discovers it to be forged by his old mentor. Senzo discovers the sword is at the end of its usefulness and will break when it is used next.
Japanese Summer: Double Suicide (1967)
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A sex-obsessed woman, a suicidal man she meets on the street, and a gun-crazy wannabe gangster become trapped in an underground hideaway.
A Colt Is My Passport (1967)
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A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.
She-Man: A Story of Fixation (1967)
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A soldier is forced to take estrogen and wear lingerie when he's blackmailed by a violent transvestite.
Long Days of Vengeance (1967)
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After suffering three years of hard labor in a prison camp, former sheriff Ted Barnett escapes. Now he seeks revenge.
The Last Killer (1967)
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Ramon's parents are killed by men of landowner John Barrett. While trying to get revenge, Ramon is wounded but has saved the life of Rezza, an old disillusioned killer. While nursing his wounds, the men become reluctanfriends and Rezza teaches Ramon the art of shooting, surviving and the loneliness a killer has to bear. Ramon becomes threat for Barrett, the landowner engages Rezza to kill Ramon.
A Man Vanishes (1967)
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A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.
The Assassin (1967)
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Yu is a two-armed swordsman who is betrayed by a jealous rival, but initially seeks a life of simple pleasures until an accidental meeting with another patriot sets him back on the road to bloody, brutal vengeance.
The Red and the White (1967)
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In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side and then the other.
Gappa, the Triphibian Monster (1967)
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An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
Tomorrow’s Promise (1967)
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“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero
Martha (1967)
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The oldest ship in the fleet, Martha, and her jolly crew, must race Harald and win, or it's the scrappers next.
Shanty Tramp (1967)
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On a hot night in Dixie, the local shanty tramp heads out for adventure and leaves disaster in her wake. The lust she excites in the local men leads to fights, murders, lynch mobs, ruined reputations, and broken homes.
Bob Dylan: Dont Look Back (1967)
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In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
The Stranger Returns (1967)
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The Stranger happens across a murdered postal inspector and a gang of bandits set on a prize of stolen gold which should be transported in a stagecoach. The Stranger, a sharpshooter named En plein and a treacherous postal agent try to get their hands on the gold. Source: SWDB www.spaghetti-western.net
Blast-Off Girls (1967)
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Sleazy music promoter Boojie Baker convinces a pop band to come work for him. He arranges play dates, publicity, record contracts, and the band's loyalty by getting his hired girls to exercise their feminine charms on all who stand in his way. Thus he creates the new music sensation, The Big Blast, but the band is unhappy about Boojie keeping most of the money. When they try to leave, Boojie sets them up for trouble with the law, but offers to bail them out if they sign the contract. Can't anyone stop this scum bucket?
Don't Wait, Django… Shoot! (1967)
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Django returns home to find out that his father has been killed, by local bandits, in a business deal gone wrong . He swears revenge and a mixture of lone gun men, gang members and bandits get involved with the search for a pouch of money, missing from the ill-fated deal.
Fury of Johnny Kid (1967)
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Two family clans have always been enemies; they spend their time hating and killing each other. The daughter of the Campos family and the son of the Mounter family fall in love, thus causing further hatred and deaths.