Daughters, Wives and a Mother (1960)
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Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
The Big Risk (1960)
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Two men pull off a daring daylight payroll heist in Milan, making a fast getaway. One is returning to France after years in hiding, needing money to start fresh with his family.
Mission of Danger (1960)
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After his Rangers are caught during a raid, a major must infiltrate the French army to save his men.
Blood Is Dry (1960)
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An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.
Good-for-Nothing (1960)
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Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.
A French Mistress (1960)
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The boys of Melbury Primary School are plunged into turmoil when the new French Master turns out to be a Mistress! Madelin Leforge's (the French Mistress) effect on the boys is swift and amazing. Suddenly everyone wants extra French Lessons just to glimpse the teacher in revealing shorts and bikinis. As discipline crumbles, a scandal explodes when the Head discovers the mademoiselle's mother was an old flame. Madeline must be dismissed to save further embarrassments.
Zazie dans le Métro (1960)
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A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle.
There Was a Crooked Man (1960)
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When a law-abiding demolition expert is duped by a gang of criminals into helping them he is caught and jailed. When he is released he goes straight and then notices a leading citizen in his town is cheating his neighbours.
Letter Never Sent (1960)
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Four geologists are searching for diamonds in the wilderness of Siberia. After a long and tiresome journey they manage to find their luck and put the diamond mine on the map. The map must be delivered back to Moscow. But on the day of their departure a terrible forest fire wreaks havoc, and the geologists get trapped in the woods.
Tomorrow Is My Turn (1960)
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Following the defeat of France by Germany during WWII, two French soldiers are taken to a German farm as forced laborers.
Two Way Stretch (1960)
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Three criminals plan to break out of prison the day before their release in order to carry out a daring jewel robbery, intending to establish the perfect alibi by returning to jail afterwards. First however they must get out, a task made more difficult by a new, stricter prison officer.
A Terrible Beauty (1960)
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In 1941, the IRA plans a campaign to coincide with the planned German invasion of England. Dermott O'Neil finds it easy to get into the IRA, but can he get out?
Devi (1960)
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A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her. Preserved by the Academy Film Archive in partnership with The Film Foundation and Merchant Ivory Foundation in 1996.
Messalina (1960)
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Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.
Twelve Hours to Kill (1960)
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After witnessing a gangland murder, a young Greek immigrant flees for his life and hides out in a small town, but he soon realizes he's not as safe there as he thought.
Integration Report 1 (1960)
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Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man
Mill of the Stone Women (1960)
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Hans von Arnam travels to a Flemish village to study a strange carousel located in an old windmill that displays famous murderesses and other notorious women from history. Professor Gregorius Wahl, owner of the windmill, warns Hans to stay away from his mysterious daughter Elfi, in order to keep Hans from discovering the horrible secret shared by the Professor and Elfi's Doctor.
Half Way to Hell (1960)
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Maria San Carlos, the only daughter of a wealthy landowner, is betrothed to Escobar, a General in the Mexican Revolution, but she does not love him. Escobar sends a mixed gang of Americans and Mexicans to capture her and bring her to him. Complications ensue when an American cowboy, who had been hitching a ride with Maria's entourage and has his gold stolen by the gang, pursues them across the desert.