Movies Starring Anne Wiazemsky
Welcome to our dedicated collection of films featuring Anne Wiazemsky. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Anne wiazemsky’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.
She Spent So Many Hours Under the Sun Lamps (1985)
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A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
The Secret Child (1979)
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Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.
Struggle in Italy (1971)
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The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.
Wind from the East (1970)
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A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.
Pigsty (1969)
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Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.
Theorem (1968)
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A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
La Chinoise (1967)
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Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Au Hasard Balthazar (1966)
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The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.