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Movies Starring Anne-Marie Miéville

Welcome to our dedicated collection of films featuring Anne-Marie Miéville. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Anne-marie miéville’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.

Our catalog, currently presenting 3 outstanding films starring Anne-Marie Miéville, is regularly updated to ensure you’re always in touch with recent releases and timeless classics. Browse detailed descriptions, ratings, and reviews to find the perfect movie for your next viewing experience. Dive into the captivating worlds brought to life by Anne-Marie Miéville’s performances and enjoy the magic of cinema at its finest.

The Image Book (2018)

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In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the

How's It Going? (1978)

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During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.

Here and Elsewhere (1976)

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Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.