Movies Starring Delphine Seyrig
Welcome to our dedicated collection of films featuring Delphine Seyrig. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Delphine seyrig’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.
Delphine and Carole (2020)
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In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.
Johanna d‘Arc of Mongolia (1989)
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A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.
Golden Eighties (1986)
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Three young women at a hair salon all like the son of the clothing store proprietors across the mall. Although Robby is selfish and shallow, he's appealing to Lili, the salon's manager, who's trendy and also the salon-owner's moll; to Mado, who's innocent and sweet; and to Pascale, who's intelligent but passive and downcast. Robby's dad tells him to grow up and see beyond the mercurial Lili, so he proposes suddenly to Mado. She's delighted, but the day before the wedding, Lili returns to give Robby another look. In the background, a Yank who was a soldier in France in World War II returns to Paris and tries to recapture the love of his
Dorian Gray in the Mirror of the Yellow Press (1984)
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The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
Freak Orlando (1981)
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FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.
Baxter, Vera Baxter (1977)
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In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)
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A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
India Song (1975)
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Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.
The Black Windmill (1974)
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A British agent's son is kidnapped and held for a ransom of diamonds. The agent finds out that he can't even count on the people he thought were on his side to help him, so he decides to track down the kidnappers himself.
The Discreet Charm of the Bourgeoisie (1972)
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In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
Daughters of Darkness (1971)
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Ostend, Belgium. In a decadent seaside hotel, Stefan and Valerie, a newlywed couple, meet the mysterious Countess Báthory and Ilona, her secretary.
Donkey Skin (1970)
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A fairy godmother helps a princess disguise herself so she won't have to marry her father.
Stolen Kisses (1968)
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The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Stolen Kisses (1968)
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The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Muriel, or the Time of Return (1963)
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In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.
Last Year at Marienbad (1961)
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In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.