Movies Starring Diana Dors
You’re now browsing page 2, where even more remarkable films with Diana Dors await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!
On the Double (1961)
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American GI Ernie Williams, admittedly weak-kneed, has an uncanny resemblance to British Colonel MacKenzie. Williams, also a master of imitation and disguise, is asked to impersonate the Colonel, ostensibly to allow the Colonel to make a secret trip East. What Williams is not told is that the Colonel has recently been a target of assassins. After the Colonel's plane goes down, the plan changes and Williams maintains the disguise to confuse the Nazis about D-Day.
King of the Roaring 20's – The Story of Arnold Rothstein (1961)
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Gambler Arnold Rothstein marries an actress, avenges his buddy and meets an underworld fate.
Passport to Shame (1958)
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British melodrama about a cabbie befriending a girl caught up in the white slave trade.
Tread Softly Stranger (1958)
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Unable to pay his bookie, a man returns to his hometown where his embezzler brother and girlfriend plot a robbery that ends in tragedy.
The Long Haul (1957)
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An American ex-GI takes a job as a truck driver to support his British war bride Connie. It isn't long, however, before Harry is blackmailed into joining a smuggling operation run by a conniving criminal.
A Kid for Two Farthings (1955)
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Joe is a young boy who lives with his mother, Joanna, in working-class London. The two reside above the tailor shop of Mr. Kandinsky, who likes to tell Joe stories. When Kandinsky informs Joe that a unicorn can grant wishes, the hopeful lad ends up buying a baby goat with one tiny horn, believing it to be a real unicorn. Undaunted by his rough surroundings, Joe sets about to prove that wishes can come true.
Dead by Morning (1955)
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Gorgeous Kate Dax and her crime-writer husband, Andrew, investigate the murder of eccentric spinster Miss Tulip at a remote country cottage.
An Alligator Named Daisy (1955)
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Returning from a cricket match in Ireland, Peter Weston gains a pet alligator from another passenger who abandons it with him. He is horrified and while his first instinct is to get rid of it he develops a relationship with a young Irishwoman who appears to be entwined with the reptile. He soon discovers that Daisy is tame and seems to be the way to Moira's heart.
Value for Money (1955)
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A wealthy young man from Yorkshire visits a London nightclub and meets a performer. She decides to take him for every penny he is worth, and he decides to let her.
The Weak and the Wicked (1954)
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Jean Raymond an upper class woman with a gambling addiction, is given a twelve-month prison sentence resulting from her inability to pay her debts. At first she is overwhelmingly depressed by life in the women's prison; gradually, however, her misery is relieved by the many close friends she makes there. This sympathetic drama traces the contrasting lives and often faltering progress of the inmates of a women's prison.
Is Your Honeymoon Really Necessary? (1953)
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An American soldier stationed in England is ready to go on his honeymoon with his new wife when his ex-wife, a gorgeous blonde, shows up and insists that they're still married. His two buddies try to help him out of his predicament, but his troubles are only just starting.
The Last Page (1952)
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A married bookstore owner is blackmailed after he makes a pass at his new sexy blonde clerk.
Dance Hall (1950)
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Episodic tale of four factory girls and their various romances at the local dance hall in Chiswick, London. Unusual at the time, the film tells its story from a feminine perspective. Today, it is mainly recognised for its post-war London atmosphere, with bomb sites, trolleybuses and rationing.
Diamond City (1949)
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Set in the diamond fields of South Africa, Stafford Parker is a lawman trying to maintain a semblance of law and order in the "Wild South".
Penny and the Pownall Case (1948)
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A glamour model helps Scotland Yard to catch a criminal gang.
The Shop at Sly Corner (1947)
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The French owner of an antique shop, Desius Heiss, (Oskar Homolka) has become disillusioned with society since his torture as a prisoner on Devil's Island, since when he has allowed his shop to become a front for criminal activity, and he himself is a receiver of stolen goods.