Movies Starring Don Ameche
You’re now browsing page 2, where even more remarkable films with Don Ameche await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!
The Magnificent Dope (1942)
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Dwight Dawson, who runs an unsuccessful success school, stages a contest to find the biggest failure in the USA, for publicity value when the "dope" takes his course. But winner Tad Page is contented with his idle, lazy life and threatens to convert Dawson's other students to his philosophy. Dawson captalizes on Tad's attraction to Claire Harris to win him over; but will Tad find out Claire is really engaged to Dawson?
Moon Over Miami (1941)
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After losing nearly all of an inheritance to taxes, sisters Kay and Barbara Latimer, waitresses at a drive-in restaurant in Texas, scheme to find rich husbands. With the aid of their aunt Susan, the sisters take the last of their money and head to a well-known Miami resort where they soon meet two wealthy young men, Phil and Jeff, who begin a fierce rivalry for Kay, not realizing that Barbara has fallen in love with one of them.
The Feminine Touch (1941)
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A college professor who believes there's no place for jealousy in modern marriage, John Hathaway (Don Ameche) moves with his wife, Julie (Rosalind Russell), to New York where he plans to publish a book on the subject. Meeting with publisher Elliott Morgan (Van Heflin), who falls head over heels for Julie, John is assigned to his assistant Nellie (Kay Francis), who only has eyes for her boss. Working closely with Nellie, who Julie thinks is after her husband, John continues his high-minded ways while his angry spouse schemes to make him so jealous he'll knock Elliott's block clean off.
Down Argentine Way (1940)
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The story—in which an American heiress on holiday in South America falls in love with an Argentine horse breeder against the wishes of their families—takes a backseat to the spectacular location shooting and parade of extravagant musical numbers, which include the larger-than-life Carmen Miranda singing the hit “South American Way” and a showstopping dance routine by the always amazing Nicholas Brothers.
Four Sons (1940)
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Four Sons is a 1940 film directed by Archie Mayo. It stars Don Ameche and Eugenie Leontovich. It is a remake of the 1928 film of the same name.
Lillian Russell (1940)
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Alice Faye plays the title role in this 1940 film biography of the early-20th-century stage star.
The Story of Alexander Graham Bell (1939)
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Alexander Graham Bell falls in love with deaf girl Mabel Hubbard while teaching the deaf and trying to invent means for telegraphing the human voice. She urges him to put off thoughts of marriage until his experiments are complete. He invents the telephone, marries and becomes rich and famous, though his happiness is threatened when a rival company sets out to ruin him.
The Three Musketeers (1939)
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A parodic remake of the story of the young Gascon D'Artagnan, who arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, Aramis, and Athos. Together they fight to save France and the honor of a lady from the machinations of the powerful Cardinal Richelieu.
Swanee River (1939)
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Swanee River is a 1940 American biopic about Stephen Foster, a songwriter from Pittsburgh who falls in love with the South, marries a Southern girl, then is accused of sympathizing when the Civil War breaks out. Typical of 20th Century Fox biopics of the time, the film is more fictional than factual biography.
Midnight (1939)
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An unemployed showgirl poses as Hungarian royalty to infiltrate Parisian society.
Hollywood Cavalcade (1939)
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Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
Alexander's Ragtime Band (1938)
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Classical violinist, Roger Grant disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with the band's singer, Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend and, when Roger returns home after the war, an important concert at Carnegie Hall brings the corners of the romantic triangle together.
In Old Chicago (1938)
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The O'Leary brothers -- honest Jack and roguish Dion -- become powerful figures, and eventually rivals, in Chicago on the eve of its Great Fire.
You Can't Have Everything (1937)
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Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...
Love Is News (1937)
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When a crafty reporter uses false pretenses to get a story out of heiress Tony Gateson, she turns the tables on him, telling the press that they are engaged. Suddenly he's front page news, every salesman is at his doorstep, and he loses his job. A series of misadventures ensues with him alternately back on his job and fired and her ex-fiancé showing up.
Ramona (1936)
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Half-Indian girl brought up in a wealthy household is loved by the son of the house against his family's wishes and loves another Indian employed by the household.