Movies Starring Haruko Sugimura
Welcome to our dedicated collection of films featuring Haruko Sugimura. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Haruko sugimura’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.
A Last Note (1995)
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A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past
The Petrified Forest (1973)
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Follows a young med student's relationships with two women: a dangerous affair with a childhood friend and his mother's struggle to rebuild their estranged relationship.
Good Morning (1959)
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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s
Floating Weeds (1959)
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When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).
Flowing (1956)
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Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
Late Chrysanthemums (1954)
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With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.
Tokyo Story (1953)
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The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Yotsuya Ghost Story Part 2 (1949)
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Part 2 starts where the first film ended, with Iemon disposing of the bodies of his wife and Kohei, marrying upward, and being blackmailed by the evil Naosuke.
Yotsuya Ghost Story Part 1 (1949)
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Iemon Tamiya is an impoverished masterless samurai who craves a better life, which he cannot have because of his marriage to Oiwa, who is completely devoted to her husband.
Late Spring (1949)
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Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
No Regrets for Our Youth (1946)
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Over more than a decade, the daughter of a Kyoto Imperial University professor comes of age as she witnesses her father fired for opposing the rise of fascism in Japan and becomes involved with two of his students.