Movies Starring Joan Crawford
You’re now browsing page 2, where even more remarkable films with Joan Crawford await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!
Possessed (1947)
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After being found wandering the streets of Los Angeles, a severely catatonic woman tells a doctor the complex story of how she wound up there.
Daisy Kenyon (1947)
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Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
Humoresque (1947)
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A classical musician from a working class background is sidetracked by his love for a wealthy, neurotic socialite.
Mildred Pierce (1945)
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A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.
Above Suspicion (1943)
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Two newlyweds spy on the Nazis for the British Secret Service during their honeymoon in Europe.
Reunion in France (1942)
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Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.
A Woman's Face (1941)
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A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.
Strange Cargo (1940)
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Convicts escaping from Devil's Island come under the influence of a strange Christ-like figure.
Susan and God (1940)
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A flighty socialite neglects her family to promote a new religious group.
The Women (1939)
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A happily married woman lets her catty friends talk her into divorce when her husband strays.
The Shining Hour (1938)
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A nightclub dancer shakes the foundations of a wealthy farming family after she marries into it.
Mannequin (1938)
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Jessie, a young working class woman, seeks to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind.
The Last of Mrs. Cheyney (1937)
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A chic American jewel thief falls in love with one of her marks, an English lord.
The Bride Wore Red (1937)
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A poor singer in a bar masquerades as a rich society woman thanks to a rich benefactor.
The Gorgeous Hussy (1936)
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It's the early nineteenth century Washington. Young adult Margaret O'Neal, Peggy to most that know her, is the daughter of Major William O'Neal, who is the innkeeper of the establishment where most out-of-town politicians and military men stay when they're in Washington. Peggy is pretty and politically aware. She is courted by several of those politicians and military men who all want to marry her, except for the one with who she is truly in love.
I Live My Life (1935)
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A society girl tries to make a go of her marriage to an archaeologist.
No More Ladies (1935)
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A society girl tries to reform her playboy husband by making him jealous.
Forsaking All Others (1934)
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A socialite only realises that her friend is in love with her when she falls for the wrong man.