Movies Starring Laura Del Sol
Welcome to our dedicated collection of films featuring Laura Del Sol. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Laura del sol’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.
The Biggest Fan (2022)
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Gérard Lanvin has an important role in a new blockbuster! Filming is about to begin in the South of France. On site, he meets Momo Zapareto, the pool boy at the house he is renting for the duration or the shoot. But Momo is a fan, a big fan… an uberfan! He has seen all his films and is soon doing all he can to make himself indispensable to his idol and the technical crew. For Gérard, the nightmare has just begun…
The Crew (1994)
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Still depressed over the suicide of his mother, Bill has no idea that he's in for a wild ride when he and his wife Jennifer board the yacht owned by her bigoted lawyer brother. Along for the trip: a rock musician and his wife, as well as the newly sex-changed Tim, and the woman he's smuggling into the U.S.
El amor brujo (1986)
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In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
Carmen (1983)
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While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.