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Movies Starring Mako

You’re now browsing page 2, where even more remarkable films with Mako await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!

The Big Brawl (1980)

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A young Asian American martial artist is forced to participate in a brutal formal street-fight competition.

The Killer Elite (1975)

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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the CIA, and while on a case for them one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.

The Island at the Top of the World (1974)

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A Victorian gentleman hopes to find his long-lost son, who vanished while searching for a mysterious Viking community in a volcanic valley somewhere in uncharted Arctic regions. The gentleman puts together an expedition team to go on the search, but when they reach their destination they must escape from some Viking descendants who will kill to keep their existence a secret.

The Green Hornet (1974)

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After the superstardom and early death of Bruce Lee, 20th Century Fox decided to cobble together a couple of theatrical feature films from this property, of which this 1974 effort is the first. The bulk of the film consists of four episodes crudely spliced together. Scattered throughout are bizarrely irrelevant fight scenes from other episodes, which make the already disjointed plotting quite surreal. The television image was cropped to make a widescreen film, which means the tops of heads and hats are lopped off the frame with alarming regularity.

The Hawaiians (1970)

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A wanderer returns home only to find political turmoil, disease and romantic difficulties.

The Sand Pebbles (1966)

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Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.