Movies Starring Marcello Mastroianni
You’re now browsing page 2, where even more remarkable films with Marcello Mastroianni await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!
The Divine Nymph (1975)
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In the decadent Roaring Twenties, a beautiful woman engages in affairs with two men, playing them against each other.
Massacre in Rome (1973)
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In the Nazi occupied city of Rome, an assault on an SS brigade draws retaliation from the military governship. "Massacre in Rome" is the true story of how this partisan attack led to the mass execution of Italian nationals under the orders of SS-Lieutenant Colonel Kappler.
Hail the Artist (1973)
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Marcello Mastrioanni stars as aging actor Nicolas whose career has dwindled to TV commercials. Seeking an anchor in his life, Nicolas attempts a reconciliation with his ex-wife. But in this, as in his professional life, Nicolas is doomed to disillusionment and failure.
A Slightly Pregnant Man (1973)
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Marco Mazzetti, a driving instructor, lives with his wife Irène and their young son. After a series of nauseous dizzy spells he goes to the doctor and discovers that he is four-months pregnant. Marco then becomes internationally famous.
La Grande Bouffe (1973)
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Four friends gather at a villa with the intention of eating themselves to death.
What? (1972)
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A young American woman traveling through Italy finds herself in a strange Mediterranean villa where nothing seems quite right.
The Priest's Wife (1970)
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After discovering her boyfriend is married, a young woman attempts suicide but survives and falls for the priest who took her call, leading to complications with his vow of celibacy.
A Drama of Jealousy (and other things) (1970)
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Construction worker Oreste and young fiancee Adelaide meet Nello, a cook in a pizzeria. This love triangle often goes to communist rallies, and enjoys the filthy beaches of Ostia. Will the hostile environment pave a way to jealousy?
Sunflower (1970)
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After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?
Fellini: A Director’s Notebook (1969)
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Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
Diamonds for Breakfast (1968)
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Swinging playboy Grand Duke Nicholas Goduno, a direct descendent of the Romanov family who were overthrown in the Russian Revolution of 1917, learns that his family's crown jewels will be exhibited at a London museum and plots to steal them. To this end, he gathers a crew of beautiful but dangerous women, led by Bridget Rafferty, to assist in his plot against Popov, the Soviet functionary in charge of the exhibit.
A Place for Lovers (1968)
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Globe-trotting clothes-horse Julia, who's harboring a secret, embarks on a 10-day fling with Valerio in Italy.
The Stranger (1967)
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Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
The 10th Victim (1965)
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In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunter and five as the victim.
Marriage Italian Style (1964)
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During the bombing of Naples in World War II, a cynical businessman helps a naive prostitute, who spends the next two decades desperate to have him reciprocate her feelings.
The Organizer (1963)
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In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory.
Yesterday, Today and Tomorrow (1963)
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Three tales of very different women using their sexuality as a means to getting what they want.
8½ (1963)
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Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.