Movies Starring Maureen Stapleton
Welcome to our dedicated collection of films featuring Maureen Stapleton. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Maureen stapleton’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.
Addicted to Love (1997)
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Good-natured astronomer Sam is devastated when the love of his life leaves him for a suave Frenchman. He therefore does what every other normal dumpee would do — go to New York and set up home in the abandoned building opposite his ex-girlfriend's apartment, wait until she decides to leave her current lover, and then win her back.
Nuts (1987)
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A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.
The Money Pit (1986)
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After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.
Heartburn (1986)
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Rachel is a food writer at a New York magazine who meets Washington columnist Mark at a wedding and ends up falling in love with him despite her reservations about marriage. They buy a house, have a daughter, and Rachel thinks they are living happily ever after until she discovers that Mark is having an affair while she is waddling around with a second pregnancy.
The Fan (1981)
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A record store clerk is an obsessed fan of an actress of stage and screen. However, when faced with rejection, the fan strikes out in increasingly violent ways.
The Runner Stumbles (1979)
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Dick Van Dyke stars as a priest accused of murdering a nun. Directed by Stanley Kramer, this 1979 drama also features Kathleen Quinlan, Maureen Stapleton, Ray Bolger, Beau Bridges and Tammy Grimes.
Lost and Found (1979)
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While visiting Switzerland, an American college professor, Adam, keeps running into a divorced British secretary, Patricia, wherever they go. First their cars collide. Then they smash into one another on a ski slope, each breaking a leg. In between numerous quarrels, the two develop lust and love. They hastily marry, but the disagreements continue. Patricia decides to leave, so Adam decides to fake a suicide. They lose and find each other, again and again.
Queen of the Stardust Ballroom (1975)
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A middle-aged woman finds herself simply a widow, a grandmother and a person when a friend takes her to the Stardust Ballroom, a dance hall which recreates the music and atmosphere of the 1940s. There she encounters a most unlikely Prince Charming, a middle-aged mailman. With this encounter, life takes on a new meaning for the film's heroine.
Plaza Suite (1971)
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Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.
Bye Bye Birdie (1963)
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A singer goes to a small town for a performance before he is drafted.
The Fugitive Kind (1960)
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Val Xavier, a drifter of obscure origins, arrives at a small town and gets a job in a store run by Lady Torrence. Her husband, Jabe M. Torrance, is dying of cancer. Val is pursued by Carol Cutere, the enigmatic local tramp-of-good-family.
Lonelyhearts (1959)
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Burdened by a family secret, Adam White lands a job as a newspaper advice columnist. Little does he realize that it's all part of a nasty desire by cynical editor William Shrike to crush the souls of his underlings. Adam feels his readers' pain, and eventually, he takes an assignment to meet with Faye Doyle, who is exasperated by her crippled husband. When Faye tries to seduce Adam, he must choose between his job and his girl.