Movies Starring Milo O’shea
Welcome to our dedicated collection of films featuring Milo O’shea. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Milo o’shea’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.
The Playboys (1992)
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A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of a wedlock, and refusing to name the father. She has a rare beauty and every man in town desires her, especially Sergeant Hegarty (Albert Finney). The arrival of a dramatic troupe stirs things up even more, especially when she falls in love with one f the "Playboys", Tom Casey (Aidan Quinn).
Only the Lonely (1991)
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Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.
The Verdict (1982)
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Frank Galvin is a down-on-his-luck lawyer and reduced to drinking and ambulance chasing, when a former associate reminds him of his obligations in a medical malpractice suit by serving it to Galvin on a silver platter—all parties are willing to settle out of court. Blundering his way through the preliminaries, Galvin suddenly realizes that the case should actually go to court—to punish the guilty, to get a decent settlement for his clients... and to restore his standing as a lawyer.
Arabian Adventure (1979)
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An evil caliph (Christopher Lee) offers his daughter’s hand in marriage to a prince if he can complete a perilous quest for a magical rose. Helped by a young boy and a magic carpet, Prince Hasan (Oliver Tobias), has to overcome genies, fire breathing monsters and treacherous swamps to reach his prize and claim the hand of the Princess Zuleira (Emma Samms).
The Love Ban (1973)
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In this 1970s comedy, a Catholic man contemplates going against his priest's guidance on contraceptives when his wife wants to stop having children.
Steptoe & Son Ride Again (1973)
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Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.
The Angel Levine (1970)
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Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for Fanny's medicine. Finally, a black fellow appears from nowhere in the Mishkin kitchen. He says he's an angel from God, sent to help Mishkin. The black angel is even Jewish, named Alex Levine? But will Morris believe in the angel? And can the angel perform the miracle that he promises?
Loot (1970)
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Two bank robbers, Dennis and Hal, are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott.
Romeo and Juliet (1968)
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Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
Ulysses (1967)
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Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.