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Movies Starring Robert Dalban

Welcome to our dedicated collection of films featuring Robert Dalban. Here, you’ll find a diverse lineup of titles that showcase the actor’s range, talent, and unforgettable on-screen presence. Whether you’re a longtime admirer or discovering Robert dalban’s performances for the first time, this selection offers something for every taste—encompassing both critically acclaimed roles and underrated gems waiting to be explored.

Our catalog, currently presenting 9 outstanding films starring Robert Dalban, is regularly updated to ensure you’re always in touch with recent releases and timeless classics. Browse detailed descriptions, ratings, and reviews to find the perfect movie for your next viewing experience. Dive into the captivating worlds brought to life by Robert Dalban’s performances and enjoy the magic of cinema at its finest.

Hothead (1979)

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François, a miserable football player, becomes a town hero after bringing victory in an extremely important game. He uses his fame for revenge on the team star for the previous mockeries.

Pasha (1968)

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Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

Idiot in Paris (1967)

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Goubi, the simpleton of his village in the French Department Allier, has but one wish: to see Paris. One day, the truckers Grafouillère deposit a drunk Goubi in the biggest market of Paris (the "Halles"). The poor man is completely lost, but the meat merchant Dessertine takes him under his wings when he hears that Goubi was likewise 'raised by the State'...

Fantomas Unleashed (1965)

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In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

Fantomas (1964)

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Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

The Eye of the Monocle (1962)

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In 1943, a German commando conceals a large quantity of gold in an undersea cave on the coast of Corsica. Years later, Schlumpf, the sole survivor of the commando, returns to Corsica to recuperate the treasure -- with British and Soviet spies on his heels, and closely monitored by Dromard, from the French intelligence services. The monocled Dromard is convinced that he can outfox his opponents, but difficulties accumulate: despite his plump appearance, Herr Schlumpf is a sly fellow; Corsica is teeming with treasure hunters from various nationalities; and all parties readily resort to unnatural alliances, brazen treachery, and strong-arm

The Menace (1961)

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Josepha is on the verge eighteen living with her drunken washed up actor uncle. She longs for the companionship of a group of her mo-ped riding peers who dabble in activities on the shady side of a legal dividing line. In order to get the semi-delinquent group to accept her, Josepha runs to the police with a tall tale about the local druggist, Savary. The police are looking for a sex murderer, and Josepha insists Savary is their man. What she does not know, however, can do her considerable damage.

The Wicked Go to Hell (1955)

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Making his directorial debut, Robert Hossein also assumes the leading role, playing an escaped convict. Hossein and his fellow escapees cross the path of Marina Vlady, with whom they all fall in love. Alas for our "heroes," Vlady intends to avenge the death of her sweetheart at the hands of Hossein and his confreres. Not only do these heels go to Hell, but they do so with a spectacular flourish. Les Salauds Vont en Enfer was adapted by Rene Wheeler from a play by Frederic Dard.

The Lovers of Bras-Mort (1951)

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Jean Michaut is a bargeman who lives nearby an old barge cemetery named "Bras-Mort". He is in love with Monique, the daughter of a wealthy boat owner. The girl returns his affection but runs her head against the wall of her family's class prejudices. Her "nearest and dearest" prove indeed prepared to do everything to separate the two lovers. But Monique will not buy in. On the contrary, she leaves her intolerant family to live with Jean among simple, more tolerant bargemen.