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Movies Starring Shelley Winters

You’re now browsing page 2, where even more remarkable films with Shelley Winters await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!

The Devil's Daughter (1973)

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A young girl whose mother had sold her soul to Satan when she was born is told by Satan that she must marry a fellow demon.

Whoever Slew Auntie Roo? (1972)

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A demented widow lures unsuspecting children into her mansion in a bizarre "Hansel and Gretel" twist.

What's the Matter with Helen? (1971)

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Two middle-aged women move to Hollywood, California after their sons are convicted of a notorious murder and open a dance school for children eager to tap their way to stardom.

How Do I Love Thee? (1970)

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A professor recalls his atheistic father, his devoted mother and his father's blousy mistress.

Flap (1970)

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Comedy based on the plight of modern Native Americans living on reservations.

Bloody Mama (1970)

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Sexually abused as a young girl, Kate "Ma" Barker grows into a violent and powerful woman by the 1930s. She lovingly dominates her grown sons and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.

The Mad Room (1969)

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Ellen Hardy gets a rude awakening when she discovers that her brother and sister are scheduled to leave their mental institution. As children, they were put there after killing their parents. Ellen, who now lives in the house of an old widow, Mrs. Armstrong, takes them in. But if their secret gets out, it could jeopardize Ellen's plans to wed Mrs. Armstrong's stepson. She struggles with anxiety -- until Mrs. Armstrong suddenly turns up dead.

Buona Sera, Mrs. Campbell (1968)

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After the end of WWII, an Italian woman receives child support payments from three former US soldiers who all believe themselves to be the father of her daughter, Gia.

Wild in the Streets (1968)

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Musician Max Frost lends his backing to a Senate candidate who wants to give 18-year-olds the right to vote, but he takes things a step further than expected. Inspired by their hero's words, Max's fans pressure their leaders into extending the vote to citizens as young as 15. Max and his followers capitalize on their might by bringing new issues to the fore, but, drunk on power, they soon take generational warfare to terrible extremes.

The Scalphunters (1968)

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Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.

Enter Laughing (1967)

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A machinist's apprentice in Depression-era New York, David dreams of becoming the new Ronald Colman. Defying the wishes of his parents, David lands a nonpaying job in a seedy theatrical production directed by broken-down ham Marlowe.

Alfie (1966)

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A young man leads a promiscuous lifestyle until several life reversals make him rethink his purposes and goals in life.

A Patch of Blue (1965)

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A blind, uneducated white girl is befriended by a black man, who becomes determined to help her escape her impoverished and abusive home life.

The Balcony (1963)

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The Madam of a brothel satisfies the erotic fantasies of her customers, while a revolution is sweeping the nation. Preserved by the Academy Film Archive in 2010.

The Chapman Report (1962)

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A research psychologist gets involved in the personal lives of four women.

Lolita (1962)

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Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

The Young Savages (1961)

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A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy.

Odds Against Tomorrow (1959)

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An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.