Movies Starring Tatsuya Nakadai
You’re now browsing page 2, where even more remarkable films with Tatsuya Nakadai await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!
Safari 5000 (1969)
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A Japanese racing driver for Nissan named Godai (Yujiro Ishihara) have a rivalry with a French driver named Pierre (Jean-Claude Drouot). Godai is enlisted to race in an annual endurance race, The East African Safari Rally. Peripheral to this is the story concerning Godai's former lover Yuko (Ruriko Asaoka), a fashion designer, and her friend Anna (Emmanuel Riva), who happens to be Pierre's wife.
Tenchu! (1969)
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A ronin desperately seeks a way out of financial straits; he allies with the Tosa clan under the ruthless leader Takechi, who quickly takes advantage.
Kill! (1968)
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A pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin.
The Face of Another (1966)
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A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
The Sword of Doom (1966)
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Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.
Illusion of Blood (1965)
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The ghost of a samurai's wife takes revenge on her husband.
High and Low (1963)
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In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.
The Inheritance (1962)
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A dying businessman intends to will his fortune to his three illegitimate children, whose whereabouts are unknown, so a bevy of lawyers and associates scheme to take advantage of the situation.
Love Under the Crucifix (1962)
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The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.
Harakiri (1962)
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Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
Sanjuro (1962)
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Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
The Human Condition III: A Soldier's Prayer (1961)
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After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.
Yojimbo (1961)
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A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
Daughters, Wives and a Mother (1960)
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Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
When a Woman Ascends the Stairs (1960)
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Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
The Human Condition I: No Greater Love (1959)
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After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
The Human Condition II: Road to Eternity (1959)
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Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.
Black River (1957)
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A university student moves into an apartment building and becomes involved with a waitress. The landlord then attempts to evict the tenants and sell the building through illicit means.