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Movies Starring Walter Pidgeon

You’re now browsing page 2, where even more remarkable films with Walter Pidgeon await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!

The Bad and the Beautiful (1952)

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Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

Calling Bulldog Drummond (1951)

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Bulldog Drummond leaves retirement to help a Scotland Yard Sergeant catch thieves armed with radar.

The Unknown Man (1951)

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A scrupulously honest lawyer discovers that the client he's gotten off was really guilty.

Soldiers Three (1951)

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Kiplingesque tale of British forces in 19th-century India.

The Miniver Story (1950)

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The Second World War is over, and the Miniver family is trying to keep themselves together in post-War Britain, among continuing shortages and growing tensions within the family.

That Forsyte Woman (1949)

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Soames and Irene Forsyte have a marriage of convenience. Young Jolyon Forsyte is a black sheep who ran away with the maid after his wife's death. Teenager June Forsyte has found love with an artist, Phillip Bosinny. The interactions between the Forsytes and the people and society around them is the truss for this love story set in the rigid and strict times of the Victorian age.

The Red Danube (1949)

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A Russian ballerina in Vienna tries to flee KGB agents and defect.

Command Decision (1948)

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High-ranking officers struggle with the decision to prioritize bombing German factories producing new jet fighters over the extremely high casualties the mission will cost.

Julia Misbehaves (1948)

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Julia and William were married and soon separated by his snobbish family. They meet again many years later, when their daughter he has raised invites her mother to her wedding, with the disapproval of William's mother.

The Secret Heart (1946)

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Penny Addams lives in a constant state of depression stemming from the trauma of her father's death when she was just a young girl. Her brother, Chase, and stepmother, Lee, work to help Penny process her grief through psychotherapy and revisiting their past, but only the revelation of long-buried family secrets -- including her mother's secret lover and the true nature of her father's death -- can bring Penny out of her intense despair.

Holiday in Mexico (1946)

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Christine Evans, the fifteen-year-old daughter of the widowed American ambassador to Mexico Jeffrey Evans, believes that she is no longer a young girl and that she has fully matured into adulthood. Eager to make her mark in the sophisticated world of foreign diplomats living in Mexico, Christine appoints herself as organizer of her father's social activities and takes over the planning of a big garden party he will be hosting. Because he loves his daughter,

Week-End at the Waldorf (1945)

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Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that without an operation he'll die and so looks for one last romance with a beautiful but ambitious stenographer; a cub reporter tries to get the goods on a shady man's dealing with a foreign potentate.

Mrs. Parkington (1944)

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In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus Parkington. He moves them to New York, tries to remake her into a society woman, and establishes their home among the wealthiest of New York's high society. Family and social life is not always peaceful, however, and she guides us, in flashbacks, through the rises and falls of the Parkington family fortunes.

Madame Curie (1943)

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Poor physics student Marie is studying at the Sorbonne in 1890s Paris. One of the few women studying in her field, Marie encounters skepticism concerning her abilities, but is eventually offered a research placement in Pierre Curie's lab. The scientists soon fall in love and embark on a shared quest to extract, from a particular type of rock, a new chemical element they have named radium. However, their research puts them on the brink of professional failure.

White Cargo (1942)

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In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who'd seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won't be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as

Mrs. Miniver (1942)

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Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.

Man Hunt (1941)

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Shortly before the start of WW2, renown British big-game hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by Nazi agents and aided by a young woman. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

Blossoms in the Dust (1941)

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Edna marries Texan Sam Gladney, operator of a wheat mill. They have a son, who is killed when very young. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home for foundlings and orphans and begins to place children in good homes, despite the opposition of "conservative" citizens, who would condemn illegitimate children for being born out of wedlock. Eventually Edna leads a fight in the Texas legislature to remove the stigma of illegitimacy from birth records in that state, while continuing to be an advocate for homeless children.