Movies Starring William Holden
You’re now browsing page 3, where even more remarkable films with William Holden await. If you’ve already sampled some highlights on previous pages, take this opportunity to discover additional performances and find your new favorite. Keep exploring and enjoy the cinematic journey!
Boots Malone (1952)
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An agent for horse jockeys faces his greatest challenge.
The Turning Point (1952)
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Special prosecutor John Conroy hopes to combat organized crime in his city and appoints his cop father Matt as chief investigator. John doesn't understand why Matt is reluctant, but cynical reporter Jerry McKibbon thinks he knows: he's seen Matt with mob lieutenant Harrigan. Jerry's friendship with John is tested by the question of what to do about Matt, and by his attraction to John's girl Amanda. Meanwhile, the threatened racketeers adopt increasingly violent means of defense.
Force of Arms (1951)
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During the winter of 1943, the German Army halted the American advance in the mountains of Italy; back-and-forth combat decimates Joe Peterson's platoon. On leave in Naples, Joe meets WAC lieutenant Eleanor MacKay; initially cool, she begins to melt during a bombing raid. Their romance develops despite Joe's periodic returns to the front. But whether he'll come back in the end becomes more than doubtful.
Submarine Command (1951)
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Submarine commander Ken White is forced to suddenly submerge, leaving his captain and another crew member to die outside the sub during WW II. Subsequent years of meaningless navy ground assignments and the animosity of a former sailor, leave White (now a captain) feeling guilty and empty. His life spirals downward and his wife is about to leave him. Suddenly, he is forced into a dangerous rescue situation at the start of the Koren War.... reassigned to the same submarine where all of his problems began.
Union Station (1950)
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Police catch a break when suspected kidnappers are spotted on a train heading towards Union Station. Police, train station security and a witness try to piece together the crime and get back the blind daughter of a rich business man.
Sunset Boulevard (1950)
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A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
Born Yesterday (1950)
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Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.
Streets of Laredo (1949)
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Texas, 1878: cheerful outlaw-buddies Jim, Lorn and Wahoo rescue spunky orphan Rannie Carter from rustling racketeers, then are forced to separate. Lorn goes on to bigger and better robberies, while Jim and Wahoo are (at first reluctantly) maneuvered into joining the Texas Rangers. For friendship's sake, the three try to keep out of direct conflict, but a showdown begins to look inevitable. And Rannie, now grown into lovely young womanhood, must choose between Lorn and Jim
Rachel and the Stranger (1948)
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A widowed farmer takes an indentured servant as his new wife, but the arrival of a passing stranger threatens their burgeoning relationship.
The Man from Colorado (1948)
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Two friends return home after their discharge from the army after the Civil War. However, one of them has had deep-rooted psychological damage due to his experiences during the war, and as his behavior becomes more erratic--and violent--his friend desperately tries to find a way to help him.
The Dark Past (1948)
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A gang hold a family hostage in their own home. The leader of the escaped cons is bothered by a recurring dream that the doctor of the house may be able to analyze.
Apartment for Peggy (1948)
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Professor Henry Barnes decides he's lived long enough and contemplates suicide. His attitude is changed by Peggy Taylor, a chipper young mother-to-be who charms him into renting out his attic as an apartment for her and her husband Jason, a former GI struggling to finish college.
Young and Willing (1943)
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For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold to United Artists in the early-40's when U.A. was having trouble meeting their exhibitor contracts because of lack of product, mainly due to their loss of production in England. A group of starving, but young and willing, actors band together to share finances and an apartment. Norman Reese (William Holden) orders no love nonsense between the boys and girls till they are set on broadway, but Marge Benson (Barbara Britton) and Tony Dennison (James Beown)
Texas (1941)
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Two Virginians are heading for a new life in Texas when they witness a stagecoach being held up. They decide to rob the robbers and make off with the loot. To escape a posse, they split up and don't see each other again for a long time. When they do meet up again, they find themselves on different sides of the law. This leads to the increasing estrangement of the two men, who once thought of themselves as brothers.
Our Town (1940)
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Change comes slowly to a small New Hampshire town in the early 20th century. We see birth, life and death in this small community.
Arizona (1940)
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Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won't be distracted from his journey and Phoebe is left alone and plenty busy with villains Jefferson Carteret and Lazarus Ward plotting at every turn to destroy her freighting company. She has not seen the last of Peter, however.
Invisible Stripes (1939)
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A gangster is unable to go straight after returning home from prison.
Golden Boy (1939)
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Despite his talent as a musician, a city boy decides to become a boxer. He's successful as a fighter — much to the dismay of his parents. When gangsters try to buy a piece of him, he begins to have second thoughts.