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Top Movies from Albania

Welcome to our curated collection of films from Albania, where cinematic traditions, cultural nuances, and storytelling heritage come together to create unforgettable viewing experiences. This selection highlights both internationally acclaimed classics and emerging favorites, showcasing the best that Albania cinema has to offer. Whether you’re new to this country’s film scene or looking to rediscover old favorites, our catalog provides a window into the rich tapestry of Albania moviemaking.

With 15 remarkable titles currently featured, our selection is constantly updated to include fresh releases, restored classics, and critically lauded gems. Each listing includes detailed descriptions, ratings, and reviews, helping you find the perfect movie for any occasion. Immerse yourself in the unique storytelling, cultural depth, and artistic flair that define Albania cinema, and expand your horizons with every film you watch.

Troubleshooters (2024)

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Two friends from Tirana attempt to solve a murder mystery at a Durrës resort while masquerading as wealthy men, encountering love interests, criminals, and self-doubt along the way as they navigate their first case as private detectives.

Gjirokastra (2024)

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Albania in the 1960s, the city of Gjirokastra. Katya, a graduate of the Philology Department of Moscow State University, marries an Albanian, a young historian whom she met in Moscow. Soon after Katya enters into a dialogue with the dictator Enver Hoxha at an art exhibition, her husband is arrested on trumped-up charges.

A Cup of Coffee and New Shoes On (2022)

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In today’s Tirana, Agim and Gëzim, two inseparable deaf-mute identical twin brothers in their forties, live under the same roof. Ana, Gëzim’s girlfriend, a young high-spirited woman in her thirties, visits them quite often. One evening, Agim is driving back home with Gëzim, when his sight gets blurred and a fatal accident nearly occurs. At the ophthalmologist, a few days later, the two brothers discover that due to a genetic and rare disease, they will separately, but progressively and irreversibly go blind. Slowly immersing into an unbearable silenced darkness, not being able to see the world and each other anymore, only Ana by their side,

The Hill Where Lionesses Roar (2022)

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Somewhere in Kosovo, in an isolated village, three young women find their dreams and ambitions stifled, but nothing can stop them in their quest for independence.

Hive (2021)

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Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

Castle Freak (2020)

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After she’s permanently blinded in a tragic car accident, Rebecca receives some bizarre news: her long-lost mother has recently passed away, leaving her their family’s ancestral castle in rural Albania. Traveling to the estate with a group of friends, Rebecca hopes it will be an opportunity for her to reconnect with a past she never knew and a mother who seemingly left her behind. When mysterious events begin to occur and her friends begin to die, Rebecca must unravel the secrets of her family’s history before she too falls prey to the Castle Freak.

Sergio (2020)

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A sweeping drama set in the chaotic aftermath of the US invasion of Iraq, where the life of top UN diplomat Brazilian Sérgio Vieira de Mello hangs in the balance during the most treacherous mission of his career.

Zana (2019)

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Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.

Willow (2019)

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Three Macedonian women have to contend with control over their bodies, tradition, loyalty, pregnancy and adoption. They have not set out to change the world or society, but their struggle to become mothers makes them unlikely heroines. The three bittersweet stories, one medieval, two contemporary, mirror and contrast one another, exploring themes of love, trust and motherhood.

Forgive Us Our Debts (2018)

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Threatened by creditors, a newly unemployed man agrees to work for a debt collector, but soon discovers his deal with the devil has unexpected costs.

Cash Only (2015)

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Elvis Martini is in deep trouble. His dilapidated Detroit apartment building is about to be foreclosed on by the bank; most of his tenants are behind on rent; he's in big debt to bookies and his daughter's school. He finds some ill-gotten cash in an evicted tenant's apartment and it briefly keeps the wolves at bay, but it brings out a bigger wolf, one that wants his stolen money back. When his daughter is kidnapped by the mysterious menace he's accidentally messed with, Elvis has 24 hours to come up with $25K - cash only.

Seven Lucky Gods (2014)

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An illegal immigrant from Albania infiltrates the lives of a group of Londoners with devastating consequences.

The Forgiveness of Blood (2011)

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A seventeen-year-old boy and his younger sister’s dreams and aspirations are put on hold when their father is accused of murder.

Ulysses' Gaze (1995)

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An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

The Students of my Class (1984)

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Math teacher Nora is transferred to work in the gymnasium of a coastal city. Edi, a pupil, openly wants an unmerited good mark in maths. Edi is the son of a director of the executive committee. Nora is worried and cannot agree with Edi and his parents.