Twenty Years Later (1984)

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

O Bom Burguês (1983)

True story of Brazilian bank clerk who supplied money for the guerrilla fighting against the military dictatorship of the 70s. When he changes his disguise, he gets involved with high society, and with industrialists who were financing repression to the groups he stood for.

Amazon Jail (1982)

Young women in the Amazon are kidnapped by a ring of devil-worshipers, who plan to sell them as sex slaves. Some of the women escape, but are pursued into the jungle by their captors. The women must band together to turn the tables on their kidnappers.

The Brazilwood Man (1982)

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

The Age of the Earth (1980)

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

Pixote (1980)

10-year-old Pixote endures torture, degradation, and corruption at a local youth detention center where two of its members are murdered by policemen who frame Lilica, a 17-year-old trans hustler. Pixote helps Lilica and three other boys escape and they start to make their living by a life of crime which only escalates to more violence and death.

Killer Fish (1979)

Jewel thieves attempt to recover treasure from piranha infested waters. Mistrust and betrayals happen amongst the gang in the quest for gold.

Amada Amante (1978)

A family leaves a small town in the state of São Paulo to move to Rio de Janeiro when the father gets a job promotion there. In Rio, everyone of them will fall prey to the city's sinful ways.

O Aleijadinho (1978)

O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral de Andrade had assisted in the restoration of more than 20 years earlier. de Andrade dedicated the film to his father, who had sent him on the expedition.

Hallucinations of a Deranged Mind (1978)

A psychiatric doctor driven to insanity by nightmare visions of Zé do Caixão trying to steal his wife is helped by colleagues who enlist creator José Mojica Marins to convince the patient that he does not exist.

Dona Flor and Her Two Husbands (1976)

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

The Strange Hostel of Naked Pleasures (1976)

An eclectic group of strangers seek shelter on a dark and stormy night, soon finding an isolated guest house owned by a mysterious proprietor.

Iracema (1975)

A girl from the countryside goes to the city of Belém to take part in the Círio de Nazaré celebrations. Led to prostitution, she wishes to move to the wealthiest Southeast region of Brazil. In a dance club, she meets a truck driver that transports wood. Dreaming with the big city, she asks for a ride, and the two begin a journey through the Trans-Amazon road. In tension with the Brazilian military authorities of the time, the film registers several aspects of the Amazon social tragedy – forest fires, slave work and child prostitution. Awarded in several international festivals, the film was forbidden by the Brazilian censorship. It was only

Isis (1975)

The Secrets of Isis is the syndicated title of a live action CBS television series produced by Filmation in the 1970s originally titled Isis that appeared during the Saturday morning cartoon lineup. The show was also aired in various countries around the world. As indicated on commentary in the 2007 DVD release of the series, and supported by examining broadcast premiere dates, The Secrets of Isis was the first weekly American live-action television series whose lead character was a female superhero, debuting September 6, 1975 and predating the weekly debuts of both The Bionic Woman and Wonder Woman.

Conjugal Warfare (1975)

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

Onanias, o Poderoso Machão (1974)

The Conspirators (1972)

The real story of the failed attempt of an independence coup by a group of intellectuals and rich men during Brazil's colonial days, from its beginning to the execution of Tiradentes.

S. Bernardo (1972)

The story of Paulo Honório, a poor ploughman who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways.