Top Movies from Brazil
You’re now browsing page 39, where our exploration of Brazil films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Viva Brazil (1962)
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Chile was the venue for the 1962 finals, where holders Brazil were expected to regain their crown. The host, Chile, took them all the way in an epic semi-final, but the classy Brazilians eventually beat Chile 4-2 and went on to beat another surprise package, Czechoslovakia, 3-1 in a one-sided final.
The Given Word (1962)
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Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.
Condemned by Progress (1962)
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The problematic of the railway lines of Rio de Janeiro with their lack of efficiency and waste of government budget are presented through examples and situations that happened in the early 1960's. The documentary also presents possibilities on how to solve such problems.
Girl In Room 13 (1960)
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A letter summons American detective Steve Marshall to Sao Paulo, Brazil, in search of fugitive murderess Louise Dunning. Marshall contacts Louise and learns that she murdered her husband only in self-defense. In the meantime, Marshall is set up as a pawn in a counterfeiting ring (they were the ones who sent him the letter), and unwittingly helps the police capture the criminals. Louise decides to remain in Brazil.
The Poet of the Castle (1959)
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A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Black Orpheus (1959)
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Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.
Limite (1931)
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Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.