Top Movies from Cuba
You’re now browsing page 2, where our exploration of Cuba films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
The Last Match (2013)
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Cuba is not a country for young gays. Teen rent boy Reinier falls in love with a mate in the slum soccer field in their neighbourhood in Havana. Although obsessed with moneymaking to hold up his baby, teen wife, and wife's grandma, gambler Reinier always fails to get the stroke of luck he looks for. At the same time he cannot help being infatuated by Yosvani. Handsome Yosvani will give up his older, wealthy girlfriend (whom he hooked up to pay for a lavish life in the big city), and the work he does for her father, a loan thug, so much in love he is with Reinier. But the boys would fight hard to keep this love in the reckless Havana streets.
7 Days in Havana (2012)
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A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.
7 Days in Havana (2012)
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A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.
Juan of the Dead (2011)
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While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."
The Oath (2010)
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Tells the story of two men, Abu Jandal and Salim Ahmed Hamdan, whose fateful encounter in 1996 set them on a course of events that led them to Afghanistan, Osama bin Laden, 9/11, Guantanamo, and the U.S. Supreme Court.
Buena Vista Social Club (1999)
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In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
Strawberry and Chocolate (1993)
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Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.
My Twentieth Century (1989)
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A tale of twin girls, Dóra and Lili, who are born in 1880 Budapest at the same moment Thomas Edison presents his electric lightbulb to the world. The sisters are soon orphaned and separated in childhood, and follow different paths: one grows up to be a naïvely idealistic, bomb-toting anarchist, the other a pampered, hedonistic courtesan. Their paths cross once again on the Orient Express on New Year's Eve 1899...
The Battle of Chile: Part III (1979)
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Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.
The Tiger Leaps and Kills, But It Will Die... It Will Die... (1973)
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An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.
The Servant's Dream (1970)
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An ordinary man goes to work in a rich household of Peru and has a dream in which he sees his boss and himself appearing as equal in front of the Archangel before going to heaven... Based on a tale by Jose Maria Argueda
79 Springs (1969)
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This film memorializes the leader of Vietnam, Ho Chi Minh, on the occasion of his death. It narrates the story of a life which is also the story of a nation-recounting his important accomplishments in the struggle against colonialism and imperialism.
Hanoi, Tuesday 13th (1969)
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In December 1967 a Cuban film crew led by Santiago Alvarez, the veteran polemicist, traveled to Hanoi. They shot the footage which constitutes this short documentary all in one day - Tuesday 13. The film is the story of that day, and what happened to the North Vietnamese people in the course of it.
Lucía (1968)
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In his award-winning film Lucía, Humberto Solás interpreted the theme of Cuba’s hundred years' struggle in an entirely novel way to create an epic in three separate episodes, each centred around a woman called Lucía and each unfolding in a different period of Cuban history, corresponding to the three stages of colonialism (1895), neocolonialism (1930) and socialist revolution (1968). The three episodes also present us with "Lucías" of different social classes. Solás described his film in this way: "The woman's role always lays bare the contradictions of a period and makes them explicit: Lucía is not a film about women, it's a
Memories of Underdevelopment (1968)
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In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young girl he seeks to mould into the image of his ex-wife, but at what cost to himself?
LBJ (1968)
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This is a montage of different images from the JFK, Martin Luther King and Bobby Kennedy triumphs and assassinations, all three events being observed by Lyndon Johnson as the dark figure who is plotting the anti-black rights movement.
Hasta la Victoria Siempre (1967)
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An obituary of Che Guevara, made in forty-eight hours to be shown at the mass meeting on the 18th October 1967 in the Plaza de la Revolucion in Havana, where Fidel Castro announced the death of Guevara in Bolivia.
Death of a Bureaucrat (1966)
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A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.