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Top Movies from East Germany

Welcome to our curated collection of films from East Germany, where cinematic traditions, cultural nuances, and storytelling heritage come together to create unforgettable viewing experiences. This selection highlights both internationally acclaimed classics and emerging favorites, showcasing the best that East Germany cinema has to offer. Whether you’re new to this country’s film scene or looking to rediscover old favorites, our catalog provides a window into the rich tapestry of East Germany moviemaking.

With 31 remarkable titles currently featured, our selection is constantly updated to include fresh releases, restored classics, and critically lauded gems. Each listing includes detailed descriptions, ratings, and reviews, helping you find the perfect movie for any occasion. Immerse yourself in the unique storytelling, cultural depth, and artistic flair that define East Germany cinema, and expand your horizons with every film you watch.

Who's Afraid of the Bogeyman (1989)

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Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Coming Out (1989)

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Philipp, a closeted teacher, is dating a female colleague to keep up appearances. One night he stumbles into a gay bar and falls for a man. Transformed by this love, he is no longer afraid to face up to who he is.

After Winter Comes Spring (1989)

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A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Our Children (1989)

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From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

Bear Ye One Another's Burden... (1988)

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At the beginning of the 50s, two extremely disparate men meet in a private sanatorium for consumptives: an officer in the People's Police, Josef Heiliger; and a young Protestant curate, Hubertus Koschenz. On account of their consumption, they have to share a room. Initially, this is the only thing they have in common.

Island of Swans (1983)

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Fourteen-year-old Stefan Kolbe, along with his mother and sister, moves from an idyllic small town to the developing area of Berlin-Marzahn, where his father works as a construction worker. Stefan must find his way in a completely new environment and surrounded by strange people. Stefan gets to know two girls, who attempt to seduce him, and gets himself into trouble with the landlord, who kisses up to societal authority figures. He becomes friends with the anxious Hubert, defends him against the constant humiliation of the older student Windjacke, and encourages him to stand up for himself. It ends tragically in a bitter fight between Stefan

The Bicycle (1982)

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Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.

Solo Sunny (1980)

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Sunny is the singer of band trying to establish itself in the music-scene of East-Berlin. They play regular gigs in small towns, but Sunny feels out of touch with the audience and her life as a whole. She begins a relationship with the amateur saxophonist and studied philosopher Ralph who writes her a very personal song - but his obsession with death and unfaithful lifestyle is not for her. After getting into a quarrel with a band member who harasses her and telling off a show-host she is thrown out of the band. Abandoned, she struggles to regain control over her life.

The Fiancee (1980)

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The wrenching story of a woman sentenced in 1934 to ten years in prison for antifascist activities. The love between her and her fiancée enables her to survive the tribulations of her time in prison, where she is one of few political prisoners.

Snow-White and Rose-Red (1979)

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In an enchanted forest, the princely brothers Michael and Andreas get lost and are transformed, by a mountain spirit who jealously guards his underground treasure, into animals until the unlikely event of sincere love from a human. The only persons who may be able to give such love are the local commoner sisters Snow-white and Rose-red, who are kind and helpful by nature and stand to harvest unimagined rewards.

Seven Freckles (1978)

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East Germany 1978. Karoline and Robert, teenagers who used to live in the same house until Robert's family moved, meet again at this year's holiday-camp. First love, first nude experience, first self-made theatre performance of "Romeo and Juliet". A look at the east-German youth in the late seventies.

The Naked Man in the Stadium (1974)

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In this film, Wolf and scriptwriter Wolfgang Kohlhaase explore the role of art and the artist in socialist society. A sculptor questions the reception and value of his work, in a delicately nuanced narrative interweaving personal memories, historical dilemmas, and political defeats.

Three Wishes for Cinderella (1973)

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Popelka, a resourceful and independent young girl, is a servant in her stepmother's house and confides in her closest friend the owl. When she comes across three magical acorns, she's granted a single wish for each one of them.

Polizeiruf 110 (1971)

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Trail of the Falcon (1968)

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In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

Karla (1965)

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An idealistic teacher is shocked to discover her pupils are already cynical and opportunistic. Her colleague soon grows resentful when she uses new and challenging techniques to help her students overcome obstacles.

The Adventures of Werner Holt (1965)

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Two 17-year-olds, Werner Holt and Gilbert Wolzow, are pulled out of school and into Hitler's army. Gilbert becomes a fanatical soldier; but at the front, Werner begins to understand the senselessness of war.