Top Movies from France
You’re now browsing page 118, where our exploration of France films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
See You Up There (2017)
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In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
I Am Not a Witch (2017)
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Convicted of witchcraft, 8-year-old Shula is brought to live in a penal colony where witches do hard labour in service of the government.
Like Mother, Like Daughter (2017)
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An attention-craving mother nearing 50, unemployed and living with her pregnant daughter and son-in-law, suddenly finds herself with child, too...
The Square (2017)
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A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
The Mansion (2017)
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A band of students comes to celebrate the New Year in an old manor house isolated from everything. But soon after their arrival, strange events disrupt the atmosphere, before the party turns squarely to the nightmare ...
In the Fade (2017)
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Katja's life collapses after the deaths of her husband and son in a bomb attack. After a time of mourning and injustice, Katja seeks revenge.
Gauguin: Voyage to Tahiti (2017)
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In 1891, the French painter Paul Gauguin leaves Paris and travels to Tahiti to renew his art as a free man, far from the European artistic conventionalism. On his journey of discovery, he faces solitude and disease, but he also knows the beauty of wild nature and the love of Tehura, a young native girl who becomes his wife and model.
Alibi.com (2017)
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Greg founded a company called Alibi.com that creates any type of alibi. With his associate, Augustin, and Medhi his new employee, they devise unstoppable stratagems and stagings to cover their clients. But meeting Flo, a pretty blonde who hates men who lie, will complicate Greg's life, which begins by hiding the true nature of his activity. During the presentation to parents, Greg understands that Gérard, the father of Flo, is also one of their clients.
Blanche Gardin: I Talk to Myself (2017)
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Touching on bulimia, death and cat sodomy, this French actress and comedian is keen to push the envelope in a one-woman show with understated flair.
Porto (2017)
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Jake and Mati are two outsiders in the northerly Portuguese city of Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.
Saint George (2017)
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In 2011 Portugal began the so-called "year of the Troika" (EU, IMF and ECB budget cuts and economic restructuring), with the level of debt among the Portuguese people reaching staggering amounts and a growing number of families and companies unable to repay their installment loans. Jorge is an unemployed boxer on the verge of losing his son and his wife, who has decided to return to Brazil. As a means of paying off his debt and persuading his wife to remain in Portugal, Jorge accepts a job with a debt-collection agency, which will drag him into a world of violence and crime.
Ceasefire (2017)
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In the early 1920s, Georges Laffont, traumatized by the horrific trench warfare, decides to leave his life behind and travel to West Africa. In the vast territories of Upper Volta he - with the help of Diofo, artist and also survivor of the Great War - try to recruit the villagers as labor for plantations in Ghana. But his adventure leads him to a dead-end, and he comes back to Paris desperate to find his place in the world.
The Grown-Ups (2017)
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A group of friends with Down Syndrome have been attending the same school for 40 years, and they are tired of being treated like children, they are grown-ups and want to live as such.
Miss Impossible (2017)
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They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so
Visiting Ours (2017)
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Every month, women go to a prison on the outskirts of Paris to visit their loved ones: sons, fathers, brothers, partners. They wait in the summer heat. As they move through security checks, relationships are made and broken, tongues loosen, tension mounts… until finally a riot erupts behind bars.
Open at Night (2017)
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One night to change everything. One night to save a theater, one night to change one's perspective about life. Luigi will push and pull Faeza with him everywhere around Paris an entire night to save his theater.
Tramontane (2017)
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Rabih, a young blind man, lives in a small village in Lebanon. He sings in a choir and edits Braille documents for an income. His life unravels when he tries to apply for a passport and discovers that his identification card, which he has carried his entire life, is fake. Now he must travel across Lebanon in search of his identity.
Corniche Kennedy (2017)
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Corniche Kennedy. In the blue of the Mediterranean, at the foot of luxurious villas, the young kids of Marseille defy the laws of gravity. Marco, Mehdi, Franck, Mélissa, Hamza, Mamaa, Julie : girls and boys dive, take flight, take risks to experience life to the fullest. Suzanne devours them with her eyes from inside her chic villa. Their free bodies, their excess. She wants to be part of them. She will be part of them.