Top Movies from France
You’re now browsing page 289, where our exploration of France films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Blood Relatives (1978)
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A Montreal police inspector cracks a murder case with clues from the victim's diary.
The Grapes of Death (1978)
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A young woman discovers that the pesticide being sprayed on vineyards is turning people into murderous lunatics.
Roads to the South (1978)
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France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)
Tire pas sur mon collant (1978)
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Secretaries by profession, Joëlle and Béatrice are invited to spend a dream stay in Marrakech. However, this invitation is actually the result of a misunderstanding, Joëlle having been mistaken for the daughter of her boss, an important CEO. But it does not matter after all, because once arrived there, in a luxury hotel, the two young women are determined to seduce all the handsome boys on vacation.
Fire's Share (1978)
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Real estate developer Bob Hansen discovers that his wife Catherine is cheating on him with his partner. He reacts calmly and even encourages their meetings, thinking that this is the only way to not lose them both.
Get Out Your Handkerchiefs (1978)
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Solange is seriously depressed, and her kindhearted husband, Raoul, makes it his mission to cure her doldrums. After many failed attempts to cheer her up, Raoul hits upon a possible solution: find his wife a lover. Unfortunately, his choice, Stéphane, proves to be just as ineffectual in restoring her flagging spirits. In the end, the gorgeous Solange finds her own, highly problematic tonic to her troubles in the form of a 13-year-old boy.
The Love Jewel (1978)
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Adrien is a journalist specialised on the "strange". He is asked to interview a man who is said to know succubi. He meets a woman at the cemetery's entrance who offers him a ring which had belonged to Casanova and has magic powers which enable the journalist to make his fantasies come to reality. But he must sell this ring within seven days for fear of a terrible death
The Meetings of Anna (1978)
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On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.
French Fried Vacation (1978)
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Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
La Cage aux Folles (1978)
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Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the transvestite club downstairs when the fiancée and her parents come for dinner.
Pretty Baby (1978)
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Hattie, a New Orleans prostitute, meets a photographer named Bellocq at her brothel one night and, after he photographs her, he befriends her 12-year-old daughter, Violet. When Violet is brought on as a working girl by her mother's madam and Hattie skips town to get married, Violet quickly loses her innocence and focuses on reuniting with Bellocq. But a life with Bellocq is compromised for Violet after her mother returns to town.
The Discord (1978)
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Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, after dinner with a lot of alcohol, order 5,000 pieces. His only problem: His production capacity is way to small so he gets to produce the machines in his private house. His wife Bernadette is far from being happy about it. Her private life goes down the line so she decides to leave Guillaume and to finally have revenge she candidates for major against her husband...
Lucky Luke: The Ballad of the Daltons (1978)
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The story opens in a Western saloon, where a young musician with a banjo begins to tell a tale of Lucky Luke and his sworn enemies the Dalton brothers: Joe, William, Jack and Averell. Luke has, once again, as he has done many times before, thrown the four outlaws into jail. The prison is also the abode of a guard dog named Rin Tin Can (Rantanplan in the original French language version).
How's It Going? (1978)
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During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.
Entire Days in the Trees (1977)
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An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.
Helga, She Wolf of Spilberg (1977)
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Helga, a woman who runs a strict prison camp, forces her female prisoners into slave labor and to be love toys for her own personal pleasure, as well as for her soldiers. Issuing torture and whippings to anyone who dares defy her, man or woman.
Mr. Michel's Dog (1977)
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In 1977, after working as an assistant director on several features, BETTY BLUE filmmaker Jean-Jacques Beineix directed the following short film about a man and his dog.
One Sings, the Other Doesn't (1977)
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The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.