Top Movies from France
You’re now browsing page 290, where our exploration of France films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Providence (1977)
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On the eve of his 78th birthday, the ailing, alcoholic writer Clive Langham spends a painful and sleepless night mentally composing and recomposing scenes for a novel in which characters based on his own family are shaped by his fantasies and memories, alongside his caustic commentary on their behaviour.
The Hurried Man (1977)
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Art collector Pierre Niox rushes through life, lives a frantic life, does everything in full speed -- searching for and acquiring works of art or real estate, marrying or even dying -- and in total disregard for any kind of morality. His misdeeds finally turn on him and destroy him.
Madame Claude (1977)
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Based on a true story. Madame Claude, a well connected Parisienne with dark past, runs a network of high-class call girls. She sends her girls to any place in the world to satisfy sexual desires of wealthy and powerful men. Claude's manipulations also involve big business and politics. Meanwhile, photographer David Evans is trying to clear his own criminal record by providing the authorities with pictures of Claude's girls with important clients in compromising positions. But powerful men can do anything to keep their secrets...
Blue Rita (1977)
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Blue Rita runs a nightclub and gases and kidnaps men there for her pleasure and torture.
The Bishop's Bedroom (1977)
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Mario, a rich and eccentric war hero befriends Marco, a loner with a sailboat, and takes him home to meet his estranged wife Cleofe and sexually repressed sister in law Matilde. Mario confesses his love for Matilde and so ensues a love triangle.
Emmanuelle 3 (1977)
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Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows very traditional signs of jealousy.
Madame Rosa (1977)
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Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in
Animal (1977)
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Mike (Jean-Paul Belmondo) is a stuntman who works with his girlfriend Jane (Raquel Welch). On their wedding day Mike and Jane are forced by producers to do a stunt for a film they are working on. Mike, annoyed doesn't look on the road and crashes the car causing them to end up in a hospital. After they come out Jane doesn't want to talk to Mike so he decides to get her a job in a film in which he is a stunt double for his double who is a star in action pictures but is in fact a wimp.
Death of a Corrupt Man (1977)
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In the middle of the night, deputy Philippe Dubaye wakes up his old friend Xavier Maréchal with disturbing news: he has just killed Serrano, a racketeer with extant political connections. Serrano kept proofs of Dubaye's involvement in corrupt dealings and was poised to use them against the deputy. Xavier readily agrees to cover up for his old pal Philippe, but he soon runs into difficulties. Nobody believes Dubaye's alibi. And everybody -- influential personalities, powerful businessmen, dubious go-betweens and the police -- wants to get hold of the documents that served to blackmail Dubaye; by all possible means...
Casanova & Co. (1977)
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While hiding from the royal authorities, Giacomo Casanova, the famous romancer, encounters his look-alike: Giacomino, a fugitive petty con man. Meanwhile, the Arabian Caliph and his wife are arriving in Venice for a state visit, and she insists on a night with the legendary lover. Through a series of erotic encounters and mistaken-identity comedies, Giacomo and Giacomino make their way back to Venice for their appointment with the Caliph's wife.
Cathy's Curse (1977)
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A young girl is possessed by the spirit of her dead aunt, who died in a car accident. Soon members of her family begin to mysteriously die off.
Tell Her That I Love Her (1977)
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Industrious accountant David Martinaud claims to be visiting his parents every weekend, but it's merely a cover for the labor-intensive refurbishing of his country cottage. The reason for David's secrecy is that his childhood crush, Lise, lives nearby, and, although she's married, he still believes they'll get together. His devotion to the idea borders on mania, and, when Lise's husband is accidentally killed, he quickly spirals out of control.
Spoiled Children (1977)
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Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.
Peppermint Soda (1977)
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In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.
The Centipede Is Tap Dancing (1977)
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When they get wind that Herman Goering wants the Venus de Milo statue removed from the Louvre and added to his private collection of stolen artworks, three Frenchmen decide to take action.
The Devil, Probably (1977)
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A group of disillusioned young Parisians look for satisfaction in political activism, religion, romance, music, and drugs.
Bilitis (1977)
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A coming of age story centering on the exploits of a young girl during summer vacation.
Baxter, Vera Baxter (1977)
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In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.