Top Movies from France
You’re now browsing page 309, where our exploration of France films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Cemetery Without Crosses (1969)
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Ruthlessly pursued by the Rogers family following a dispute over cattle, Ben Caine (Benito Stefanelli) is chased back to the Caine Ranch. Despite his wife Maria's (Michèle Mercier) desperate pleading, the Rogers family hangs Ben Caine, forcing Maria to watch. Consumed with revenge but finding her two brothers-in-law reluctant to assist, Maria enlists the help of Manuel (Robert Hossein). Manual, presumably preoccupied with the past, wears a single black glove and lives alone in a ghost town. Manuel agrees to Maria's plan with reluctance, in part because of his deep feelings/attraction to her. Manuel finds employment as foreman at the Rogers'
Under the Sign of the Bull (1969)
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In this film, Albert is an eccentric inventor of missiles who comes under fire from his investors when his first prototype explodes. Even his sympathetic mistress has her doubts, as Albert lashes out in a verbal tirade condemning those of little faith in his genius.
The Brain (1969)
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Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
One on Top of the Other (1969)
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A San Francisco doctor encounters a prostitute who bears a striking resemblance to his late wife.
Monte Carlo or Bust! (1969)
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Sequel to "Those Magnificent Men In Their Flying Machines". This time an international car rally from England to Monte Carlo provides the comedic farce.
The Christmas Tree (1969)
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A French-American millionaire, his girlfriend and his war buddy try to grant his dying son's every wish.
Eagles Over London (1969)
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The British High Command finds itself in the thick of a huge dilemma when it is realized that they have long been infiltrated by spies from a German intelligence group. This all happens during the preliminary stages of the Battle of Britain.
A Very Curious Girl (1969)
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Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.
Le Grand Amour (1969)
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Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming.
The Devil by the Tail (1969)
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In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.
Zenabel (1969)
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Zenabel, a young woman from a humble background, discovers that she is actually the daughter of a Spanish nobleman who was killed by a ruthless don, Alonso, who took the title. So Zenable assembles a group of misfit friends to reclaim her title.
Le Gai Savoir (1969)
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Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions.
A Golden Widow (1969)
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A woman learns that she is sole legatee of her forgotten rich uncle, but there is a small problem: she's got to be a widow to latch onto the dough or the fortune will go to a vague sect...
Antonio das Mortes (1969)
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A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
Love and Anger (1969)
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Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
Mississippi Mermaid (1969)
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A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.
Goto, Island of Love (1969)
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A petty thief works his way up the absurd hierarchy of Goto, an archipelago cut off from civilisation by a tumultuous earthquake. His dream is to possess Glossia, a stifled beauty trapped in a loveless marriage to a melancholic dictator.
Pigsty (1969)
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Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.