Top Movies from France
You’re now browsing page 335, where our exploration of France films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
On Trial (1954)
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Prosecutor Etzel discovers that his father has sentenced a man, Leonardo Maurizius, on mere presumptions. He then makes it a point of honor to trace the sources of the case to uncover the truth.
Touchez Pas au Grisbi (1954)
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Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Peek-a-boo (1954)
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A small-town policeman is informed that "naked women" are dancing in a revue at a local variety theater. Being the guardian of public morals that he is, he decides to stroll on down there and check it out for himself.
Air of Paris (1954)
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Victor Le Garrec, a former boxer, runs a gym in Paris while dreaming of finding an aspiring champion who will reach the goals he was never able to achieve.
Ali Baba and the Forty Thieves (1954)
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A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.
The Return of Don Camillo (1953)
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Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.
Thérèse Raquin (1953)
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Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.
Good Lord Without Confession (1953)
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Stuck in a loveless marriage, bourgeois industrialist Francois falls in love with Janine, another man's wife. Francois sets up Janine as his mistress, and she, mercenary soul that she is, likes the set-up so much that she continues the relationship even when her own husband returns from WW II. In the long run, however, Janine is the loser in the situation.
The Merchant of Venice (1953)
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A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia
The Wild Oat (1953)
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A small village is torn apart by a quarrel between the baker and the italian grocery tenant, mother of a pregnant young girl. She accuses the baker's son, doing his military service in Algeria, to be the father of the would be child. Offended, the baker refuses to deliver bread to the villagers standing on the mother's side.
Rhine Virgin (1953)
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Reported missing in 1940, Jacques Ledru comes back to Strasbourg as Martin Schmidt. He tracks down his wife Genevieve, but she's remarried and has taken the head of his shipping company. She and her husband will do anything to get rid of Jacques and keep his company.
I Vitelloni (1953)
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Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
The Wages of Fear (1953)
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In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
Monsieur Hulot's Holiday (1953)
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Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
The Earrings of Madame de... (1953)
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In France of the late 19th century, the wife of a wealthy general, the Countess Louise, sells the earrings her husband gave her on their wedding day to pay off debts; she claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, & her new lover, the Italian Baron Donati.
One Hundred Francs Per Second (1953)
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Philippe, an employee at the Bourdinet firm, having been caught kissing Jacqueline, his boss's daughter, is fired. Some time later, Bourdinet launches a radio quiz show to boost his business. Philippe then decides to compete in the hope of telling the thousands of listeners what he thinks of the industrialist. A blow on the head having given him a gift of second sight, the competitor becomes impeccable and wins astronomical sums to the great despair of Bourdinet. Everything will work out in the end and Philippe will be able to marry Jacqueline.
La Villa Santo-Sospir (1952)
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Cocteau takes the viewer on a tour of a friend's villa on the French coast (a major location used in Testament of Orpheus). The house itself is heavily decorated, mostly by Cocteau (and a bit by Picasso), and we are given an extensive tour of the artwork. Cocteau also shows us several dozen paintings as well. Most cover mythological themes, of course. He also proudly shows paintings by Edouard Dermithe and Jean Marais and plays around his own home in Villefranche.
The Golden Coach (1952)
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A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.