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Top Movies from Hong Kong

You’re now browsing page 69, where our exploration of Hong Kong films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

The Beasts (1980)

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A father seeks revenge from a gang of thugs who raped his daughter and murdered his son.

Mission for the Dragon (1980)

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Han Wu-song, an antique collector, gets killed while appraising a bronze horse rider statue which trader Wang Dae-in has stolen from a tomb. Dae-in dies on the scene and Wu-song leaves the killer's name on the cave wall before he dies. Dae-in's son Wang Gak thinks Wu-Song killed his father and fights with his son Jung-pa. Trader Kwan and her daughter Mi-ryung stop the fight. Jung-pa and Mi-ryung's love is disturbed by Ju-yang. Gak and Jung-pa chase him to find Wu-song's body with Ju-yang's name on the wall but Mi-ryung appeals them not to kill...

Two Champions of Shaolin (1980)

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Shaolin warrior Tung Chien-chen is injured in battle against the hated Wu Tang clan, and nursed back to health by a knife-throwing master. As he recovers, Tung learns this deadly art, and also falls in love with his teacher's daughter. But when a Wu Tang attack disrupts the young lovers' wedding, Tung must put his new skill to use as he seeks revenge.

Rendezvous with Death (1980)

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Sun Chung had been recognized as an expert comedy and crime thriller director, but he was to gain even greater acclaim for his soulful, powerful, intelligent, and beautifully-made martial arts epics. This stands alongside The Deadly Breaking Sword and The Kung-fu Instructor as one of his very best. It’s not so much the plot – a master swordsman protects a treasure chest on a dangerous journey – that makes this great, but what Sun does with it, inspiring the cast and crew to some of their finest work.

Killer Constable (1980)

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2 million taels in gold has been stolen from a vault within the Forbidden City. The Empress wants the money returned within 10 days. Chief Constable Leng Tian-Ying is hired to bring back the gold robbers, dead or alive- and Leng's earned a reputation of never bringing anyone back alive.

A Deadly Secret (1980)

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A treasure hunt sparks the continuing violence in this Hong Kong action film, yet the film does not focus only on the violent nature of some of the characters. An enamored Ting Tien (Pai Piao) spends a cold winter's night waiting to spot the love of his life, Ling Shuang-hua (Szu Shih), when she makes her usual morning excursion onto her balcony. The theme of his love for her is treated with sensitivity, though his love does not affect the fate in store for both himself and the woman he worships. ~ Eleanor Mannikka, Rovi

Bat without Wings (1980)

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When a notorious fiend known as the "Bat Without Wings" returns to his small village after a five-year absence and kidnaps a young maiden, it's up to her family and a resourceful swordsmen to brave the horrors of the underworld to bring her back home alive.

Rebellious Reign (1980)

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Top fighter leaves his sifu to join his new friend the 4th Prince, and supports him in his bid to gain the throne and eventually overthrow the Ching.

Super Power (1980)

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A dying Manchu kung fu fighter sends his three sons on a mission of revenge against the five Southern champs who defeated and humiliated him a generation ago. The three Manchus enter the town where the old champs live and begin challenging and fighting an unprepared group of once-powerful martial artists and their sons. After his counterparts in the other families take some serious beatings, Billy is forced to take a crash course from a noted teacher in North and South Eagle styles as well as Horsehead Fist. Only then is he able to confront each of the three Manchu fighters.

Fist of Fear, Touch of Death (1980)

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A television reporter interviews fighters and promoters about Bruce Lee in preparation for a tournament to claim the title of “Successor to the Bruce Lee legacy”. Footage from Bruce Lee's films and interviews is repurposed in pseudo-documentary style.

Challenge of the Tiger (1980)

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Two CIA agents, a kung fu master and a suave womanizer, track the stolen formula for a super-sterility drug from Spain to Hong Kong, battling Neo-Nazi terrorists and a Vietnamese spy ring for its possession.

Legend of the Fox (1980)

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Chin Siu Ho plays a young man who believes himself to be an orphan. Until one rainy night when he and three different men find themselves taking shelter from the storm in the same place. Here the man who raised him tells him at last the story of who his parents were. His father (Lu Feng) was a great swordsman trying to dispel rumors of a wrongdoing and return a lost sword to its rightful owner. Kuo Choi and Chiang Sheng (also master swordsmen) are the parties that Lu Feng is trying to rectify things with. Through cowardly trickery on Chiang's part, a duel ensues and it all winds up with Lu's death. His son is taken to safety by a servant

Shōgun (1980)

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An English navigator becomes both a player and pawn in complex political games in feudal Japan.

Return to the 36th Chamber (1980)

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The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production. Desperate to reclaim their full wages, the workers hire an actor to impersonate a priest and kung-fu expert from the temple of Shaolin. The factory owner proves the actor a fraud, and punishes all those involved. The young actor feels he has let the workers down, and promises to atone. He sets out for Shaolin, determined to be accepted as a kung-fu pupil at the elite temple.

The Boxer from the Temple (1980)

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Complex plots? This director didn't want them. Expensive, famous stars? Didn't need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as "the Kid," a monk whose education in the aptly named "Crazy Lo Han Fist" finds him battling a cruel bandit's son and befriending an abused prostitute. From then on, it's one fight after another in another John Lo Mar martial arts marvel.

Fists and Guts (1979)

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A mysterious traveler enlists two bumbling con men in a plan to get back supposed family heirlooms stolen by a missing housekeeper who uses various disguises to elude capture.

Ten Tigers of Kwangtung (1979)

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Ming partisan Chu who is on the run from Manchu forces. Local merchant and kung fu enthusiast Li Chen-chau gives the fugitive shelter in his pawnshop and quietly recruits some of his fellow martial master associates to help protect the lad. When Li's professional rival rats him out, Manchu official Liang not only orchestras his army but fools a couple other kung fu masters including Beggar Su into helping his cause. After a heated battle, Li manages to convince Su to joining his cause, thus forming the Ten Tigers.

Kid with the Golden Arm (1979)

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Jin bei tong opens with a group of escort guards preparing to move a shipment of gold from the local government to an area stricken by famine... one of the very few Venom films where all six Venom actors are present within a single film.