Top Movies from India
You’re now browsing page 98, where our exploration of India films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
The Holy Man (1965)
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A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.
Charulata (1964)
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In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
Charulata (1964)
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In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
Haqeeqat (1964)
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A platoon of Indian soldiers encounters harsh realities while fighting in the Sino-Indian War of 1962.
Palatak (1963)
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A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.
The Big City (1963)
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Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
Aarti (1962)
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An unemployed young man named Deepak (Pradeep Kumar) saves Aarti Gupta (Meena Kumari), a hardworking and dedicated doctor, from drowning, and the two eventually fall in love with each other, although she is already engaged to Dr. Prakash (Ashok Kumar). Although Aarti's father firmly disapproves of this relationship, Deepak and Aarti marry. She moves in with him and his family, which includes his brother, Niranjan (Ramesh Deo), his sister-in-law, Jaswanti (Shashikala), their three children, and Deepak's father (Jagirdar). That leaves the humiliated Prakash determined to get Aarti back, whatever he may have to do. He manages to bring a discord
The Cloud-Capped Star (1960)
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A selfless young woman, the daughter of a middle-class refugee family from East Pakistan, sacrifices her own happiness for her unappreciative family.
Devi (1960)
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A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her. Preserved by the Academy Film Archive in partnership with The Film Foundation and Merchant Ivory Foundation in 1996.
India: Matri Bhumi (1959)
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Several stories depicting the landscapes and fauna of India are mixed with documentary footage.
Apur Sansar (1959)
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Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. Preserved by the Academy Film Archive in 1996.
The Music Room (1958)
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An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Jamalaye Jibanta Manush (1958)
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A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime
Aparajito (1956)
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Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in
Aparajito (1956)
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Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in
Shree 420 (1955)
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The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
Pather Panchali (1955)
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Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
Jhansi Ki Rani (1953)
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Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British.