Top Movies from Italy
You’re now browsing page 157, where our exploration of Italy films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Horror Castle (1963)
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Women are being tortured to death with various torture devices in the dungeon of an old castle by a deformed, hooded, holocaust survivor.
Don't Tempt the Devil (1963)
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A lovely young nurse finds herself framed for the murder of a hospital patient who died after she administered an injection.
Toto and Cleopatra (1963)
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Mark Antony has a brother-lookalike, Totonno, a sinister slave trader. Totonno secretly replaces Mark Antony in the most delicate moments.
Mondo Cane 2 (1963)
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The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.
Ro.Go.Pa.G. (1963)
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Four short films by four different directors dealing with the principles of modern life.
Scheherazade (1963)
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Sheherazade is promised to a powerful Sultan as a gift in exchange for free passage to the Holy Land. When the Sultan's underling saves her from certain death, she falls madly in love with her hero.
Hands over the City (1963)
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Prior to a city council election, the collapse of a building leaves a land developer and his political backers defending themselves against a scandal.
The Lion of St. Mark (1963)
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In 1620 pirates are terrorizing the Adriatic coast. Our hero sets out to defeat them.
The Implacable Three (1963)
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Guzman, a rich U.S. landowner is forced to leave for a short time, leaving his pregnant wife alone in the ranch. That night, a group of bandits, believing that the house is empty, enters with the purpose of stealing. She surprises them and they kill her. When Guzman returns, he finds in the fingers of his dead wife the tie pin of the murderer. Then, with the help of a Portuguese and a Mexican friends,he begins his revenge.
OSS 117 Is Unleashed (1963)
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An American agent disappears after a scuba diving reconnaissance mission in Corsica. The Secret Service sends agent code name OSS 117 to investigate.
Black Sabbath (1963)
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Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
Yesterday, Today and Tomorrow (1963)
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Three tales of very different women using their sexuality as a means to getting what they want.
Crooks in Clover (1963)
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An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.
The Leopard (1963)
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As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
8½ (1963)
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Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Contempt (1963)
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A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.