Top Movies from Japan
You’re now browsing page 218, where our exploration of Japan films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Good Morning (1959)
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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s
Fires on the Plain (1959)
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In the closing days of WWII, a Japanese soldier afflicted with tuberculosis is abandoned by his company and left to wander the Philippine island of Leyte.
The Manster (1959)
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A reporter is sent to interview a scientist working in his mountain laboratory.
Battle in Outer Space (1959)
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In 1965, the space station JSS-3 is destroyed by a fleet of UFOs, which then begin a global siege on Earth, using rays to manipulate gravity and control the minds of men. In response, a global council meeting is held to determine the source of the attacks and prepare a rocket ship armada for a counter-attack, a true battle in outer space. . . The film is a sequel of sorts to Toho's THE MYSTERIANS in the reprise of the Etsuko Shiraishi character of that film as its heroine. It was edited to 74 minutes for its American release.
Jirocho Fuji (1959)
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Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.
Samurai Saga (1959)
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Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
The Big Boss (1959)
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Ryuta and Mineo Komatsu are brothers, both yakuza (gangsters). Mineo, although complicit in crime, even murder, wants out of the gangster life, hoping to become a successful singer instead. Ryuta loves his brother, but Mineo's possible defection presents problems for the gang, and Ryuta realizes he must kill his brother if he wants to survive.
The Three Treasures (1959)
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The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
The Song of the Cart (1959)
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A lifetime story of a woman who stubbornly lives in a poor mountain village in post-war Japan.
Desperado Outpost (1959)
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When Sergeant Okubo's brother is murdered at a Japanese outpost in Northern China during the Second World War, Okubo poses as a war correspondent and seeks out his brother's killer.
Lucky Adventurer Nobunaga Oda (1959)
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Oda Nobunaga (1534–1582) was a major daimyo during the Warring State period of Japanese history. He was the second son of Oda Nobuhide, a deputy military governor with land holdings in Owari province. Nobunaga lived a life of continuous military conquest, eventually conquering a third of Japanese daimyo before his death in 1582. Telling the story of his rise to prominence as he leads an army of 4,000 men against the 40,000 troops of Lord Imagawa Yoshimoto to prevent the arrogant daimyo from crushing the Oda clan and taking control of the entire nation. From a newly restored anamorpic widescreen print, this is the ultimate warlord movie.
The Most Valuable Wife (1959)
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In the forties in Japan, a group of brilliantly qualified university students are selected to break all ties with their previous lives and form the Japanese spy service.
Hiroshima Mon Amour (1959)
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The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
The Human Condition II: Road to Eternity (1959)
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Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.
Floating Weeds (1959)
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When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).
Voice Without a Shadow (1958)
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Asako, a former telephone operator once heard the voice of a murder suspect which has continued to haunt her. Years later her husband invites his boss, Hamazaki, over for dinner and she realises his voice is suspiciously like that of the killer. Before she can investigate further, Hamazaki is found dead and her husband becomes the prime suspect.
Equinox Flower (1958)
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Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
Stolen Desire (1958)
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A rumbunctious and ribald tale of a troupe of travelling actors who alternate highlights of kabuki theatre with strip shows.