Top Movies from Japan
You’re now browsing page 219, where our exploration of Japan films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
The H-Man (1958)
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Nuclear tests create a radioactive man who can turn people into slime.
Red Pier (1958)
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Shortly after arriving in Kobe, "Jiro the Lefty", a killer with a natural talent, witnesses a man die in a crane accident which turns out to be a cover-up for a murder. Jiro soon finds himself on the run, tailed by a determined cop.
Rusty Knife (1958)
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Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?
Giants and Toys (1958)
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Nishi is an advertising executive for a caramel company that is planning to launch a new product, in fierce competition with two other companies.
The Tale of the White Serpent (1958)
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As a young boy, Xu-Xian is forced to free his pet, a small snake. Unbeknownst to him, the snake is actually a young snake goddess named Bai-Niang and she is in love with him. Many years later, when they are both adults, the princess is magically transformed into a human and sets out to find her love. But the local wizard believes her to be a vampire, and banishes Xu-Xian from the village in order to save him. Xu-Xian's pet pandas Panda and Mimi set out to save him and bring him, in the process becoming leaders of an animal gang.
The Boy Who Came Back (1958)
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Nobuo is a hot-headed hoodlum fresh out of reform school who struggles to make a clean break with his tearaway past.
The Rickshaw Man (1958)
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A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.
Nichiren and the Great Mongol Invasion (1958)
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During the 1200's, legendary Buddhist monk Nichiren returns from his studies to lead Japan out of moral crisis and prepare to fight Mongol invaders by creating a new form of Buddhism. He runs afoul of the existing Buddhist sects and their government supporters and is persecuted. Can Nichiren persevere before the Mogol fleet reaches Japanese shores?
A Slope in the Sun (1958)
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The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.
Black Cat Mansion (1958)
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The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.
The Purple Hood (1958)
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Kataoka Chiezo stars as Murasaki Zukin, a mysterious hero of the people who helps those in need. Now under the rule of the evil Tanuma, the people look to Murasaki Zukin more than ever, to confront and punish those who bring misfortune upon the commoners. Will he be able to bring peace to the land? One of the greatest actors from Toei Studios, known mainly for his swashbuckling roles as powerful swordsmen such as Ryunosuke in SOULS IN THE MOONLIGHT, he appeared in 325 films both before and after the war, beginning with CHUSHINGURA in 1928, and including KUNISADA CHUJI in 1933, and DOKUGANRYO MASAMUNE. While best known for his swordplay,
The Ballad of Narayama (1958)
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In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting
The Hidden Fortress (1958)
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In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
Temptation (1957)
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Shokichi, the owner of the clothing store, lives with his daughter Hideko and plans to open an art gallery. One day, Hideko led a handsome art student, Shohei and a poor painter, Sohei. Sohei’s painting was praised by a great printer at the completion ceremony of the art gallery. Since he became successful as a painter, but he looked quite indifferent. Around the same time, Shohei’s sister brought Sohei’s pictures to the gallery and Shokichi noticed that she was a daughter of his first love.
Tokyo Twilight (1957)
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Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.
A Sun-Tribe Myth from the Bakumatsu Era (1957)
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Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.
Danger Stalks Near (1957)
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The plans of a trio of burglars are continually thwarted by the arrival of visitors to the house they plan to rob.
I Am Waiting (1957)
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A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.