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Top Movies from Lebanon

You’re now browsing page 3, where our exploration of Lebanon films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

Zama (2017)

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In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.

The Insult (2017)

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After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention.

Tramontane (2017)

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Rabih, a young blind man, lives in a small village in Lebanon. He sings in a choir and edits Braille documents for an income. His life unravels when he tries to apply for a passport and discovers that his identification card, which he has carried his entire life, is fake. Now he must travel across Lebanon in search of his identity.

The Beach House (2016)

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Four people from an Arab generation roaming over the ruins of ideologies, causes and virtues of their predecessors. It portrays their intellectual and emotional nonchalance about what is happening around them in their daily lives and relationships. In a house whose architecture is a sixties' experiment in mixing modern and Islamic architecture, a stone and concrete cube suspended over a rocky shore bashed by the waves of the Mediterranean, by famed Iraqi architect Refaat Chaderji, we spend a night with four characters whose non-stop conversations and peculiar actions reflect the void and chaos they are living in.

A Man Returned (2016)

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Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.

3000 Nights (2015)

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Iman, a young newly wed Palestinian bride, is arrested and incarcerated in a top-security Israeli prison where she gives birth to a baby boy. As she struggles to survive and raise her child behind bars, she is torn between her instinct as a mother and the difficult decisions she must make, finding through her relationship with the other prisoners - both Palestinian and Israeli – the time and space to reflect, develop and mature as a young woman.

The Road (2015)

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Rana and Guy, a young married couple live in today's city of Beirut. Rana quits her job and falls slowly into a state of lingering. Guy decides they need to go on a road-trip that leads them to the mountains. The road becomes one of remembrance and nostalgia. A road that might bring them closer to themselves and to each other.

Very Big Shot (2015)

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A dark comedy about brothers running a drug-dealing business out of their takeout pizzeria.

The Prophet (2014)

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Exiled artist and poet Mustafa embarks on a journey home with his housekeeper and her daughter; together the trio must evade the authorities who fear that the truth in Mustafa's words will incite rebellion.

A World Not Ours (2014)

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An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

Make Hummus Not War (2012)

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Filmmaker Trevor Graham is an Australian 'hummus tragic'. Every week in his Bondi Beach home he observes the hummus making ritual, mashing chickpeas, lemon juice, garlic and tahina. But when the Hummus War erupted in 2008, among the usual suspects, Israel, Lebanon and Palestine, Graham was hungry for more. But this war ha no soldiers, bullets or tanks. Just chickpeas and hummus. Make Hummus Not War is a humorous homage to the chickpea's most distinguished dish. But there's a personal story, how Graham became a hummus tragic, a father who served in Palestine during WW2 and two lovers in his life, one Syrian, one Jewish, with whom he shared a

The Attack (2012)

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An Arab surgeon living in Tel Aviv discovers a dark secret about his wife in the aftermath of a suicide bombing.

Where Do We Go Now? (2011)

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In a remote, isolated Lebanese village surrounded by land mines, Muslims and Christians live together in peace. As civil strife starts to engulf the country around them, the women in the village try, by various means and to varying success, to keep their men in the dark by sabotaging the village radio, and then destroying the village TV.

Caramel (2007)

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In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.

Children of Shatila (1998)

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Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut's "belt of misery," the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When

Doctor Detroit (1983)

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A shy but gentle man named Clifford Skridlow is a professor of comparative literature at the financially-strapped fictional Monroe College in Chicago. A chance encounter with four beautiful women at a restaurant changes his life forever.

The Little Wars (1982)

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Beirut resident Soraya is drawn to two men: daredevil photographer Nabil and Talal, who must embrace his feudal heritage when his father is kidnapped.

We Are All for the Fatherland (1979)

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After the 1978 Israeli invasion of Lebanon, children try to sing the national anthem as citizens search for hope in the war-torn South.