Top Movies from Poland
You’re now browsing page 32, where our exploration of Poland films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Man - Woman Wanted (1973)
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Stanisław Maria Rochowicz, a bumbling art historian, is falsely accused of stealing a painting. The alleged thief faces five years in prison. Desperate, he decides to hide in disguise as a woman until he can paint a copy of the stolen canvas. Lacking means to live, he has to work for some time, of course, as a woman. He gets a job as a domestic helper. However, he has no luck with employers.
Agent #1 (1972)
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Jerzy Szajnowicz-Ivanov, the son of a Polish mother and a Russian father, raised in Greece, reports to the Carpathian Brigade in the spring of 1941. While the Poles are wary of him at first, he proves his worth by taking part in several sabotage actions against the Nazis.
The Third Part of the Night (1972)
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Set during the Nazi occupation of Poland, in which Michał witnesses the murder of his mother, wife and child. He is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes. It also tells the true untold story of a vaccine laboratory where Jews and members of the resistance were employed as feeders for parasites infected with typhus.
I Hate Mondays (1971)
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An acute case of Mondayitis in Warsaw. Interwoven stories of a few inhabitants of Warsaw, including one very unlucky Italian on a governmental mission and a charitable Polish American.
Lokis: A Manuscript of Professor Wittembach (1970)
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A pastor and ethnographer visits a remote corner of 19th-century Lithuania where folk customs associated with the area's pagan past still have a hold on the population.
The Structure of Crystal (1969)
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Two friends who used to study physics together are forced to make tough decisions as their lives take different paths.
Everything for Sale (1969)
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Wajda's homage to Zbigniew Cybulski, the "Polish James Dean" who starred in the director's ASHES AND DIAMONDS and died young. The movie follows the tribulations of a director attempting to make a movie with a Cybulski-like star who never shows up.
Hunting Flies (1969)
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Włodek is a middle-aged man stuck in a dead-end job at the local library who lives with his harridan wife and critical in-laws in a small apartment. When Włodek draws the interest of a library patron, the beautiful young woman encourages him to strive for better things in his life and professional career. Together, the two take off for a three-day affair, but surprises could await Włodek upon his return home.
Colonel Wolodyjowski (1969)
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In 1668 Polish colonel Michał Wołodyjowski, who recently retired to a monastery, is recalled to active duty and takes charge of Poland's eastern frontier defenses against invading Tatar hordes and Ottoman armies.
The Doll (1968)
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Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
Concert of Requests (1967)
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A young couple leave a lake campsite on motorbike at the same time as a bus full of youths. The boy accidently loses a tent along the road which is picked up by those in the bus who offer a trade of the tent for his girl.
Westerplatte Resists (1967)
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Westerplatte is a small peninsula at the entry to the Gdańsk Harbour. Before World War II, it functioned as a Polish ammunition depot in the Free City of Danzig. Its crew consisted of one infantry company and a group of civilians, 182 people in total. It was the only Polish guard-post at the mouth of the Vistula River, with as little as five sentries, one field cannon, two anti-armour guns and four mortars. The first shots of World War II were fired there. This film tells the story of Westerplatte's courageous defenders.
The Office (1966)
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The insane government bureaucracy at a state pension window.
Pharaoh (1966)
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Young Pharaoh Ramses XIII clashes with Egypt's clergy over influence on the affairs of the state and its coffers. inexperienced, but quite ambitious pharaoh is putting up a fight against a powerful clan of priests usurping rule over the country.
The Ashes (1965)
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Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon's side with the hopes of Poland's revival.
Identification Marks: None (1965)
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The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara
Walkover (1965)
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Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.