Top Movies from Qatar
You’re now browsing page 3, where our exploration of Qatar films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
The Unlucky Hamster (2019)
0
Fluffy is a cute little hamster in a pet shop dreaming of a new home, when someone walks up to him and decides to buy him, changing his dream into a nightmare.
Haifa Street (2019)
- 0
2006, Baghdad is ravaged by sectarian violence. Haifa Street is the epicenter of the conflict. Ahmed gets dropped off there by a taxi on his way to his beloved Suad's home to ask for her hand for marriage, he gets shot by Salam, a sniper who's living his own personal hell on a rooftop above.
Mother, I Am Suffocating. This Is My Last Film About You. (2019)
- 0
The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face. ‘Mother, I Am Suffocating. This is My Last Film About You’ is a symbolic
It Must Be Heaven (2019)
- 1
Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
Too Late to Die Young (2019)
- 0
During a very dry summer in an isolated community far from the city. Sofia, Clara and Lucas face their first loves and fears, while preparing the New Year's party, without knowing that nature threatens them.
The Load (2019)
- 0
Vlada works as a truck driver during the NATO bombing of Serbia in 1999. Tasked with transporting a mysterious load from Kosovo to Belgrade, he drives through unfamiliar territory, trying to make his way in a country scarred by the war. He knows that once the job is over, he will need to return home and face the consequences of his actions.
Whispering Sands (2018)
- 0
A Canadian woman of Arab descent undertakes a trip and hires a guide to help her find a specific place in the Tunisian desert. To encourage her to reveal her secret, the guide tells her Sufi stories inspired by his childhood.
Look at Me (2018)
- 0
Torn between the life he thought he could leave behind in Tunisia and the life he’s created for himself in Marseille, a man finds himself at a crucial crossroads, in Nejib Belkadhi’s latest.
The Wild Pear Tree (2018)
- 0
Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.
Long Day's Journey into Night (2018)
- 2
Luo Hongwu returns to Kaili, the hometown from which he fled many years ago. He begins the search for the woman he loved and whom he has never been able to forget.
The Seen and Unseen (2018)
- 1
Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the
They (2018)
- 0
J is in their early teens and lives in the countryside. J has been diagnosed with Gender Identity Disorder, goes by the selected pronoun “they”, and takes hormone blockers to suspend puberty. While J’s parents are away, their older sister and her Iranian boyfriend are assigned the duties of house-sitting and looking after J.
Until The Birds Return (2017)
- 0
Algeria today. Past and present collide in the lives of a newly wealthy property developer, a young woman torn between the path of reason and sentiment and an ambitious neurologist impeded by wartime wrongdoings. Three stories that plunge us into the human soul of a contemporary Arab society.
Wallay (2017)
- 0
Ady, a 13 years old boy, no longer listens to his father who raises him alone. The latter, running out of resources, decides to entrust Ady to his uncle Amadou for the summer. Uncle Amadou and his family live on the other side of the Mediterranean sea... in Burkina Faso! There, at 13 years, one must become a man but Ady, persuaded to go on holidays, understands things differently.
Of Fathers and Sons (2017)
- 0
Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
Beauty and the Dogs (2017)
- 0
When Mariam, a young Tunisian woman, is raped by police officers after leaving a party, she is propelled into a harrowing night in which she must fight for her rights even though justice lies on the side of her tormentors.
Trophy (2017)
- 0
This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.
Cocote (2017)
- 0
A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios,