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Top Movies from Soviet Union

Welcome to our curated collection of films from Soviet Union, where cinematic traditions, cultural nuances, and storytelling heritage come together to create unforgettable viewing experiences. This selection highlights both internationally acclaimed classics and emerging favorites, showcasing the best that Soviet Union cinema has to offer. Whether you’re new to this country’s film scene or looking to rediscover old favorites, our catalog provides a window into the rich tapestry of Soviet Union moviemaking.

With 138 remarkable titles currently featured, our selection is constantly updated to include fresh releases, restored classics, and critically lauded gems. Each listing includes detailed descriptions, ratings, and reviews, helping you find the perfect movie for any occasion. Immerse yourself in the unique storytelling, cultural depth, and artistic flair that define Soviet Union cinema, and expand your horizons with every film you watch.

The Inner Circle (1992)

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Life changes for a Moscow worker when he's made Stalin's personal film projectionist but cannot tell his bride.

Happy Days (1991)

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An unnamed hero roaming the streets of St Petersburg is befriended by a beggar with a donkey and a slightly deranged prostitute.

Assassin of the Tsar (1991)

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A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor

The Russia House (1990)

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Barley Scott Blair, a Lisbon-based editor of Russian literature who unexpectedly begins working for British intelligence, is commissioned to investigate the purposes of Dante, a dissident scientist trapped in the decaying Soviet Union that is crumbling under the new open-minded policies.

The Visit (1989)

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The author's interpretation of the story by F. M. Dostoevsky "The Dream of a Ridiculous Man" using motifs from the stories by T. Mann "The Clown" and Leo Tolstoy "Notes of a Madman".

Stolen Meeting (1989)

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A mother released from a prison camp in Russia finds her son, but realises that reconciliation is impossible.

Treasure Island (1989)

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Young Jim Hawkins finds himself serving with pirate captain Long John Silver in search of a buccaneer's treasure, in this Soviet Ukrainian animated adaptation of Robert Louis Stevenson's classic tale.

The Witches Cave (1989)

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An interstellar expedition is sent to study a strange planet. Despite the fact that creatures from various Earth time periods inhabit the world, the natives possess metal swords, even though they should have no knowledge of such weaponry.

The Needle (1988)

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Moro returns to Alma-Ata to collect money owed to him. While waiting out an unexpected delay, he visits his former girlfriend Dina and discovers she has become a morphine addict. He decides to help her kick the habit and to fight the local drug mafia responsible for her condition.

The Thirteenth Apostle (1988)

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Russian adaptation of Ray Bradbury's "The Martian Chronicles"

Zerograd (1988)

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Going on a business trip, the hero of the film suddenly finds himself in a fantastic city. It is very similar to our world, only the hidden absurdity of everyday life here has become apparent.

Heart of a Dog (1988)

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"Heart of a Dog" is a Soviet film adaptation of Mikhail Bulgakov’s iconic novella. Set in 1920s Moscow, it tells the satirical and darkly humorous story of a stray dog named Sharik, who is transformed into a human by Professor Preobrazhensky through a daring medical experiment. The resulting man, Poligraf Poligrafovich Sharikov, embodies the social and ideological tensions of early Soviet society. With its sharp critique of class struggle, human nature, and the perils of radical change, the film is celebrated for its faithful adaptation, brilliant performances, and rich allegorical depth.

Mio in the Land of Faraway (1987)

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Under the watch of his unkind realtives, lonely Bosse's luck is changed when he is sent to the land where his real father is the King. In that country, he sets out on a quest, together with his new friend, to destroy the evil Knight Kato.

A Man from the Boulevard des Capucines (1987)

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Mr. Jonny First arrives to the Wild West to present the art of the Cinematograph.

Dark Eyes (1987)

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Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian.

Kin-dza-dza! (1987)

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Two Soviet humans previously unknown to each other are transported to the planet Pluke in the Kin-dza-da galaxy due to a chance encounter with an alien teleportation device. They must come to grips with a language barrier and Plukian social norms (not to mention the laws of space and time) if they ever hope to return to Earth.

The Long Farewell (1987)

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A single mother is confused by the changes in her teenage son, who has become distant since spending summer vacation with his father.