Top Movies from Soviet Union
You’re now browsing page 7, where our exploration of Soviet Union films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Underwater Reefs (1959)
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Tõnis Hoopkaup is the head of a fishing collective in Tagaranna, a village on the Estonian island of Saaremaa. On the day of his wedding to fishing engineer Riina, he receives two important presents – a new trawling net, which he hopes will help him sail past rival collectives, and a cigarette case with an anchor on it. The case reminds him of his soaring pre-war dreams, when he was in love with the daughter of the most powerful man in Tagaranna. But her hard-hearted father put paid to their wedding plans. Now the bookkeeper Lauer has moved into the old house with his sister Lidia, and Tõnis wants to get close to her, as close as he once was
Ivan the Terrible, Part II: The Boyars' Plot (1958)
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This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to
The Cranes Are Flying (1957)
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Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris' family, into the company of a cousin with his own intentions.
Spring on Zarechnaya Street (1956)
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An idealistic, sophisticated young woman meets a rough-around-the-edges, blue collar man and rejects him, only to find out later that they are destined for true love together, despite the fact that he cannot now pass his certification test after she threw him out of her adult education class.
The Forty-First (1956)
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An unexpected romance occurs for a female Red Army sniper and a White Army officer.
The Sword and the Dragon (1956)
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Paralyzed since birth, Ilya can only watch helplessly as his village is plundered by barbarians. But when a mysterious traveler arrives with a magic elixir that restores him to full health, Ilya begins an adventure to protect the village and the royal family from harm.
Mussorgsky (1950)
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Saint Petersburg, 1858. A group of composers known as The Five meet at Balakirev's. Young Modest Mussorgsky, both a civil servant and a musician, has become a fixture there. He tells about the first opera he plans to compose. Then he goes to the country where he discovers the lowly conditions of the peasants and the bloody conflicts with the rich land owners. He works on Gogol's 'The Marriage', trying to render into music the natural accents of the play's naturalistic dialogue. But his efforts do not pan out. On the other hand, he starts writing his opera on the story of Boris Godunov. The Marinsky Theatre refuses to stage the work. The
Ivan the Terrible, Part I (1944)
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Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was
Wings of Victory (1941)
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The film is based on the biography of Valeri Chkalov (1904 - 1938), a Russian pilot, who set several long distance flight records. Chkalov and his co-pilots Baidukov and Belyakov together had accomplished several non-stop long-distance flights. In June of 1937 Chkalov set the world record, covering 12000 kilometers in 63 hours of non-stop flight from Moscow to Vancouver, Washington, flying over the North Pole.
Vassilisa the Beautiful (1940)
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Based on a Russian folk tale, Vasilisa Prekrasnaya (Vasilisa the Beautiful) is about a father whose three sons go out to finds themselves brides. Two of the boys come home with perfectly normal girls, but the youngest brother, Ivanushka, brings home a frog from the marshes. His father finds this most curious, but what he does not know was that the frog was actually a beautiful girl named Vasilisa who was cursed by a magical serpent whom she refused to marry. Now Ivanushka must overcome tremendous obstacles to restore Vasilisa to her true form and free her from the serpent's spell.
Alexander Nevsky (1938)
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When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden.
Three Songs About Lenin (1934)
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This documentary, made up of 3 episodes, is based on three songs sung by anonymous people in Soviet Russia about Vladimir Ilyich Lenin.
Kikos (1931)
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A naive peasant appears by turns during the Civil War in two hostile camps and finally chooses the Red Army.
Enthusiasm (1930)
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A lyrical documentary on the lives of Coal miners in the Donbass who are struggling to meet their production quotas under the Five Year Plan.
The Ghost That Never Returns (1930)
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The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.
The Steel Road (1929)
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Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
Fragment of an Empire (1929)
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Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
Man with a Movie Camera (1929)
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A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.