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Top Movies from Sweden

You’re now browsing page 58, where our exploration of Sweden films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

The War Is Over (1966)

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Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrade to prevent him from going to Madrid where he could be arrested.

Au Hasard Balthazar (1966)

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The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.

Persona (1966)

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A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

Masculin Féminin (1966)

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Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Love 65 (1965)

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A film director has problems coping with his wife and marriage. The daughter is their only connecting link. He is looking for love and sex elsewhere. A married woman becomes his new partner for a while.

Tjorven and Skrallan (1965)

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The residents of Seacrow island get new problems when Malin and Peter get their first child - Skrållan.

Love 65 (1965)

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A film director has problems coping with his wife and marriage. The daughter is their only connecting link. He is looking for love and sex elsewhere. A married woman becomes his new partner for a while.

My Home Is Copacabana (1965)

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Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

Docking the Boat (1965)

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A group of party goers have trouble getting their boat ashore on a small island. The inhabitants of the island try to help, often with the help of an old sailor, and the results are absurd and hilarious.

All These Women (1964)

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Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the critic's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.

Dear John (1964)

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Divorced skipper John meets Anita, a single mother, at a port and spends the weekend with her.

Loving Couples (1964)

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As three pregnant women wait to have their babies in a hospital in Stockholm at the outbreak of the Great War, they relive their childhood and youthful experiences.

Raven's End (1963)

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In 1936 Sweden, a teenager drifts through life in his small town, hoping that a novel about the neighborhood he grew up and lives in will reverse the fortunes of his family.

The Baby Carriage (1963)

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A tale of a young woman, Britt, who has two flings, but finds herself with difficult decisions when she finds herself pregnant.

The Silence (1963)

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Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.

Winter Light (1963)

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A Swedish pastor fails a loving woman, a suicidal fisherman and God.

The Boy and the Kite (1962)

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A young Swedish boy tries to enjoy his birthday with his mother in the maternity ward and his father having forgotten about the occasion.