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Top Movies from Turkey

You’re now browsing page 28, where our exploration of Turkey films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

Lionman (1975)

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When the king is murdered, his baby son and heir is hidden in the forest where he is abducted and raised by a pride of lions. As an adult he uses his beastly strength and claw-like hands to take revenge against the new king and his armies.

Kara Murat: Kara Şövalyeye Karşı (1975)

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Byzantine Prince kills Kara Murat's father and kidnaps his brother to raise him as the Black Knight to fight against Turks. Years later, Kara Murat has to face the notorious enemy in a mission to save abducted Karaca Pasha of Rumelia.

The Executioner (1975)

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Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.

The Police Are Blundering in the Dark (1972)

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During an outbreak of violent murders in the area targeting young women, a journalist searching for a female friend gone missing ends up in a villa owned by an eccentric photographer.

Innocent Bystanders (1972)

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Washed-up agent John Craig is given the task of proving his worth by tracking down a Russian scientist on the run. Cross and double-cross is the name of the game.

Thirsty for Love: Sex and Murder (1972)

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An introvert party goer in '60s makes it a habit of kidnapping meretricious female models to hidden spots out to wild nature to rape them, and of returning them to their homes nevermore.

You Can't Win 'Em All (1970)

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During the 1922 Turkish Civil War, two Americans and a group of foreign mercenaries offer their services to a local Turkish governor who hires them as guards for a secret transport.

Cry Blood Apache (1970)

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Telling the story of his early life in flashback, a former prospector (Joel McCrea, with flashback sequences featuring son Jody) explains his brutal massacre of a tribe of Indians. The only survivor (Marie Gahua) agrees to lead him to a secret gold mine.

Hope (1970)

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After losing one of his horses in an accident, an illiterate horse cab driver sets out into the desert in a quest for a mythical lost treasure.

The Dead Can't Talk (1970)

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The manor, which served as a guest house by the will of Mr. Adem, is referred to as uncanny in the town. Housekeeper Hasan, who lives alone in a big mansion, scares the guests with her strange manners. The greater danger that awaits guests is the visits of a ghoul from his grave to the mansion.

The Castle of Fu Manchu (1969)

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The evil mastermind Fu Manchu plots his latest scheme to basically freeze over the Earth's oceans with his diabolical new device. Opposing him is his arch-nemesis, Interpol's very British Nayland Smith.

Iron Claw the Pirate (1969)

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In the spirit of the jaw- droppingly outrageous KILINK ISTANBUL'DA, DEMIR PENCE concerns itself with two masked adversaries -- one fighting for justice, the other a nefarious criminal -- who do battle with the fate of Turkey & the entire world at stake.

Law of the Border (1966)

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In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border.

Time to Love (1965)

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On the Princes’ Islands to the south of Istanbul, the days are rainy and full of longing. Poor but proud painter Halil gets a job in one of the island’s villas, where he encounters the photograph of a beautiful woman and falls in love with her image.

Dry Summer (1963)

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A scheming tobacco farmer sets out to ruin his competition by diverting the local water to his own property.

Revenge of the Snakes (1962)

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The film follows the life of a poor, old woman defying the hierarchy in the village. Irazca is an old woman who lives with her son Kara Bayram, her daughter-in-law Hatice, and three grandchildren. The headman of the village sells a lot from the common land of the village to Haceli. The family does not want a house to be built in front of their house and struggles against the tricks of the headman and Haceli.