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Top Movies from United Kingdom

You’re now browsing page 570, where our exploration of United Kingdom films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

Goldfinger (1964)

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Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox -- and obliterate the world's economy.

Zulu (1964)

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In 1879, during the Anglo-Zulu War, man-of-the-people Lt. Chard and snooty Lt. Bromhead are in charge of defending the isolated and vastly outnumbered Natal outpost of Rorke's Drift from tribal hordes.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 1964 United Kingdom Watch online

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

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After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

A Hard Day's Night (1964)

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Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.

Murder Ahoy (1964)

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During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.

The Masque of the Red Death (1964)

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A European prince terrorizes the local peasantry while using his castle as a refuge against the "Red Death" plague that stalks the land.

A Shot in the Dark (1964)

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Inspector Jacques Clouseau, smitten with the accused maid Maria Gambrelli, unwittingly turns a straightforward murder investigation into a comedic series of mishaps, testing the patience of his irritable boss Charles Dreyfus as casualties mount.

The Gorgon (1964)

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In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.

Look at Life: Living with Cars (1964)

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A look at the increase in cars on the streets of the 1960s.

The Caretaker (1964)

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Aston, a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies, an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders...

The Break (1963)

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A group of inmates escape from Dartmoor prison. They hide out in the English country side but are doggedly chased by police.

From Russia with Love (1963)

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Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.

That Kind of Girl (1963)

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That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.

Murder at the Gallop (1963)

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Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.

The Scarlet Blade (1963)

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A cruel Roundhead Colonel is on the trail of royalist sympathizers, but unaware of his daughters royalist sympathies. When she falls into a love triangle with Cavalier Edward Beverly and Roundhead officer Captain Sylvester the stage is set for double crossing and derring-do.

Call Me Bwana (1963)

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A returning moon capsule goes off course and lands in Africa where a little-known tribe finds it. Washington sends Matthew Merriwether to recover it—thinking he's an expert on the region—when in fact he's no such thing. However, a foreign power sends Secret Agent Luba to try and acquire the capsule for itself and, when Matthew and Luba reach their destination, they find that the tribe believes the capsule to be sacred and won't give it up.

Summer Holiday (1963)

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1960s musical showcasing Cliff Richard. Four bus mechanics working for London Transport strike up a deal with the company: they do up a one of the company's legendary red double decker buses and take it to southern Europe as a mobile hotel. If it succeeds, they will be put in charge of a whole fleet. While on the road in France they pick up three young British ladies whose car breaks down and offer to take them to their next singing job in Athens. They also pick up a stowaway, who hides the fact that she's a famous American pop star on the run, chased by the media and her parents.

Tom Jones (1963)

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Tom loves Sophie and Sophie loves Tom. But Tom and Sophie are of differering classes. Can they find a way through the mayhem to be true to love?